CAL Tours | Create A Label (2024)

SPOILER: Click to show

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Setlist:
Hurtin’ Me
Dancin’
Bossy
Nann
Check (Encore)

Set:

The night starts off with the stage empty. Smoke begins to fill the stage as the dancers make their way to the stage and the “Hurtin’ Me” instrumental begins to play. The background screen showing newly shot colorful visuals of Kash Doll on a beach. Kash Doll then begins to ride a neon multicolored low rider bike onto the stage and the crowd begins to go crazy. She’s wearing a custom pink and green Fenty motocross one piece. As she gets off the bike, one of the dancers move it off the stage as she address the crowd. “You guys ready to turn the f*ck up tonight?” The crowd screams. She then says, “Let’s Go Then!” And begins to get into the song, “Heard you got a new girlfriend, and it’s hurtin me.” The performance was very colorful and dancehall filled.

Before she gets into the next song of the night she walks to the end of the stage to address the crowd. “How y’all feeling tonight? Imma need y’all to let loose and just vibe out tonight.. Can you do that for me?” She then walks back to center stage very sasilly switching her hips before getting into a cute little “Rock Your Hips/Swag Surf” mashup dance break. During Swag Surf she gets off the stage and goes to the barriers and begins to instruct the crowd to swag surf with her. Afterwords she runs up the stairs just in time to get into “Dancing”. She delivers an energy filled performance filled with all sorts of attitude and bling. “My wrist dancin, neck dancin, Nails dancin, my ears dancin’” As the hook plays for the last time she starts throwing nameplate bracelets with “Touch Pass Tour x Kash Doll” on them into the crowd.

As the instrumental for “Bossy” comes on some male dancers make their way to the stage carrying a throne. Kash Doll then starts to sing the intro, “Aye Yo…, You don't have to love me…, You don't even have to like me…, But you will respect me…” as she makes her way to sit on the throne. As soon as the begin to pick up the throne she sings, “You know why cause I'm a boss!”. The female dancer then begin to do some cute choreography on the stage as Kash Doll gets carried through the crowd as she recites the lyrics. Often reaching her hand out to the fans. At the end of the song she makes her way back to the stage.

She then addresses the crowd. “Y’all know I couldn’t do this tour without doing the bop that started it all, right? Ayo Trina… Where you at boo?” Trina then makes her way to the stage and the crowd goes crazy. Kash Doll then asks Trina, You wanna do the honor?” As the instrumental for Nann begins to play Trina replies, “Why, of course!”. Trina then begins to start singing the hook, “You don't know nann ho uh-uh, Don' been the places I been, Who can spend the grands that I spend, f*ck bout 5 or 6 best friends”. The dancers then starts twerking up a storm as Kash Doll and Trina pace back and forth across the stage. They slay the performance and the crowd cannot contain themselves.

Kash Doll thanks Trina and hugs her then address the crowd for the last time of the evening. “Thank you guys so much for having me tonight… This is my first time being on tour and you guys have been amazing. Thank you to Tinashe for having me…. This has been the greatest experience for me and I hope I made y’all proud.” The crowd then starts screaming “ENCORE! ENCORE! ENCORE!” KAsh doll then replies, “Awe.. ask and you shall receive. Ayo DJ play that new sh*t!” The instrumental to an unreleased song called “Check” begins to play and Kash Doll hops off the stage to the barriers to interact with the fans as she sings, ”Now it's the dolly, not Parton, But pardon my french…” After the first go around the crowd already knew the hook so at the end of every line of the hook she pointed the mic out to the fans to say! “Still pretty? CHECK!, Keep hoes in, CHECK!, Run up a, CHECK!” After she finishes the song she takes a few selfies with the fans and hands out a few more bracelets before making her way backstage.

SPOILER: Click to show

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The stage of The Touch Pass World Tour was inspired by the Touch Pass music video. The back of the stage was spread out into two different sections. There was a bar in the middle of the stage to separate these sections. Right above that bar, and all the way to the top of the stage, is a screen which will be playing most of the interludes and background visuals throughout the show.

On the bottom half of the stage from left to right is an elevator, then a small platform where a drummer and a percussionist are placed, with a drum kit and more percussion instruments, then another elevator, then another small platform where a pianist is placed, then there's another elevator at the edge of the stage. To put it more simply, there are three elevators on the bottom half on the stage, two on the sides and one in the middle, and some band members are placed in between the gaps between the elevators. There are also rectangular screens placed behind the band members, which can show interludes throughout the show.

More of the band are actually cut off to either side of the stage. There are two platforms on the left and right of the stage. The left platform shows a bass guitarist and an electric guitarist and the right platform shows a DJ and two backing singers.

The band members may be either away from their platforms or hidden without a spotlight at certain parts of the performances where they are not needed.

The rest of the stage is just a normal set up for Tinashe and her dancers to dance on, although there is a rectangle base out at the front and centre of the stage, which serves as a runway, although it doesn't push out too far into the mosh pit.

SPOILER: Click to show

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1. “No Drama” (with Kash Doll on select dates)
2. “Side Thing”
3. “Sacrifices”
4. “Party Favors”
5. “Ride Of Your Life”

6. “You Don’t Know Me”
7. “Vulnerable” / “BO$$”
8. “Feelings” / “Soul Glitch"
9. “Truth or Dare”
10. “Applause”

11. “Up We Go"
12. “Crimes”
13. “Sunburn"
14. “Spacetime” / “Ecstasy"
15. “Ghetto Boy”

16. “Stop”
17. “I’m In Control” / “Pour Your Love On Me”
18. “That’s My Girl” / “Bad Love"
19. “2 On”
20. “All Hands On Deck”
21. “Little Things"

22. “Touch Pass”
23. “Superlove"

SPOILER: Click to show

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The show began with the lights going out. The crowd is screaming for Tinashe as the know the show is about to begin. Smoke begins to fill the stage as the beginning riff in No Drama plays. The drummer hits the Hi-Hat as the band get into a short instrumental break of No Drama. Suddenly, the song stops and the lights go out again. An interlude is then shown on all of the screens of Tinashe getting in an elevator. We can see that she's wearing a completely black outfit, equipped with buckles and, a huge pair of boots and a cap with a ponytail coming out the hole at the back. A voice in the elevator asks Tinashe where she would like to go and she responds by saying "Up to the stage for The Touch Pass World Tour .. but hold off a little bit cuz I don't know if they're ready yet. I don't think they're screaming loud enough for me". She then looks up (as if she is below the stage) and the crowd screams in response. Once again, she says "I still don't think they're loud enough. ARE YOU BITCHES READY?". The crowd then screams once again and then says "I think they're ready. Let's go". The screen goes black and a button on the side of the centre elevator turns blue and makes a ding noise. The elevator opens and shows Tinashe as the song begins once again. The spotlight slowly shines on Tinashe as the song begins and she sings her parts live. "I can't cop the coupe / Don't do sh*t for two". As the drums kick in and she sings "Said I'm falling off but they won't JFK me", she walks out of the elevator and makes her way further throughout the stage, closer to the audience. As she says "Aka a popstar, aka a problem". The word "POPSTAR" flashes on the screen and the song suddenly comes to an end. Tinashe looks out at the crowd as they're screaming for her. She then sings "Aka a popstar, aka a problem" a capella and six backing dancers, wearing all black as well, run on stage to get in formation behind her. The beat kicks in as Tinashe sings "We pulled up in Gucci, dripped down in Gabanna" and her and her dancers do some simple choreography. Tinashe then screams "SING" as the backtrack sings "Don't want no dra ma ma". She joins in for the vocals after the first two lines and then breaks into some more hardcore choreography as the bass and drums kicked in. The backing singers also joined in for some harmonies. She then said "Ladies and gentlemen, give it up for Kash Doll" and Kash Doll came out to rap her first verse in the song (Only for the five shows in which she was opening). The dancers were doing some proper choreography while Tinashe was just moving around the stage, interacting with the crowd and hyping up Kash Doll. "Don’t want no drama / So save that sh*t for your mama / I’m Michelle but not looking for my Obama / Too worried about myself and trying to chase these commas". As that verse ended, the DJ added some strings and snaps to the backing so that Tinashe and Kash Doll could sassily snap from side to side and spin their bodies around to the backing track. It then went back to normal and Tinashe sang the chorus to the crowd before Kash Doll got into her final verse. As Kash Doll's verse ended, her and Tinashe did a custom handshake and Tinashe screamed "[CITY], PUT YOUR HANDS UP!" as Kash Doll left the stage and the chorus came back. Her and her dancers did another hardcore dance break and the backing was then stripped down a little bit so that Tinashe could belt "DON'T WANT NO DRA MA MAAA / WE PULL UP IN THAT OOH LA LAAAA" as if it was a ballad. As the song ended, Tinashe and her dancers did some simple dance moves and Tinashe sang the "Don't need no, don't want no, don't wanna".

Without an introduction, the spotlights on the stage kept flashing on and off. Tinashe singing "I need me a side thing" a capella in No Drama was being repeated with the words "SIDE THING" flashing on the screen. Suddenly, we hard "I need me a, I need me a, I need me a", followed by Tinashe singing "side thing" in a deep voice. The song Side Thing then started playing. The stage was set up to look very dark, with minimal lighting being used and the screens behind them showing a dark aesthetic. Tinashe sang the first verse to the crowd with her dancers doing some simple dance moves behind her. "I wanna feel something but I don’t wanna fall in love / Cuz that’s just too much stress I simply can't worry bout / I just want you to walk in and then walk back out / And, whenever we’re together, there ain’t much to talk about". For the chorus, Tinashe sang the first half and let the backing singers and pre-recorded vocals take care of the second half as her and her dancers did some generic Vine era hip hop dance moves. The instrumental for this song wasn't awfully hard hitting so the simple dance moves did the job. The second verse was skipped and Tinashe got onto the platform at the front of the stage to belt down and sing the chorus to the crowd. "You and me alone tonight / No buckling in for this ride / Just like some fries, you’re really nice / But I’m gonna keep you on the side".

As Side Thing came to an end, Tinashe finally spoke the audience: "WHAT'S UP [CITY]? ARE YOU READY TO HAVE A GOOD TIME TONIGHT?! My name is Tinashe and you're here to witness my very first arena tour, The Touch Pass World Tour. I'd like to thank you all from the bottom of my heart tonight for buying a ticket to this show and showing me that you believe in my talent and my music. It means more than you'll ever know. We're gonna start off with a few bops for you guys. This next one was a #1 smash so I'm sure I don't even need to name it for you guys".

Sacrifices then kicked in and Tinashe began the performance staring out to the audience with a straight face. Her dancers were also standing behind her looking fierce in a triangular formation. Smoke covered the stage and clouds were shown on the screens behind her. Tinashe sang "New hundreds all on the mattress / We gon' role play like an actress". For the rest of the verse, Tinashe and her dancers were doing choreography that matched the lyrics, such as them wiggling their hips around for "While I ride you like a wave". After the first chorus, a female dancer left the stage so that two female dancers could find a male partner and Tinashe could find one too. The guys and girls were seductively dancing on each other for the second verse, with strobe lights going off to match all the quick drum hits in the instrumental. Tinashe and the female dancers backed it up on their partner as Tinashe sang "All over your face" and the male dancers then left the stage so that Tinashe and only two female dancers could break into a dance break for the pre-chorus, with strobe lights going off. Tinashe then belted out the next chorus and they broke into another dance break for Big Sean's verse. Big Sean filmed him rapping his verse on a green screen so that he could be added into the cloudy aesthetic on the screens. Tinashe and her dancers ended the performance with some seductive and sultry dance moves for the rest of the bridge and the final chorus.

It was just Tinashe and the two girls for the next song as Sacrifices automatically transitioned into Party Favors. You could hear a ding on all three elevators as the song was kicking it. Tinashe asked "Who is it?" and the doors opened to show the male dancers without their shirts on. The girls and gays in the crowd SCREAMED for them. Tinashe said "A bunch of sexy men we can degrade for our own pleasure? Sounds like a party!". This was obviouslt a parody on the male gaze. There were also a bunch of white pills flying around the screens behind them to represent DRUGS. As the track kicked in, the audience could feel the bass digging deep into their souls as the female dancers flirted with the guys coming on the stage and Tinashe was alone, singing to the crowd. The backing singers took over for the first part of the pre-chorus as Tinashe and her dancers did some slow choreography to the beat. Tinashe then joined in and sang in her falsetto. Tinashe and her dancers were then simply moving from side to side as Tinashe sang the chorus and occasionally encouraged the crowd to sing the "Oooh"'s in the chorus and then got into some choreography as the backing singers sang "I got some party favors for you". The second verse and chorus had pretty much the same premise. For the bridge, Tinashe belted out the bridge by herself, as her dancers were leaving the stage, and blessed the crowd as she sang "FORGET TOMORROOOWWWW, OOOH WOOOAAHHH" and then did a solo dance break.

Ride Of Your Life came in almost immediately. Tinashe was standing on the rectangular platform at the centre of the stage and her dancers entered the stage on some black go-carts. The entire performance of this song pretty much consisted of Tinashe singing and dancing on the platform by herself, with the dancers having fun driving the go-carts around. Barriers were already placed around different areas of the stage to ensure that the dancers in the go-carts only ran into each other if anything at all. Two security guards were also holding a bar in between Tinashe and the main stage to prevent chaos. The dancers didn't go too hard with the go-carts anyway because they knew the main focus was on Tinashe. She was doing some fire car-inspired dance moves as she sang the song and interacted with the crowd in the mosh pit. The dancers all made their way off the stage as the backing singers sang "Might change your life" at the end of the song and Tinashe strutted her way to the elevator. She pushed the button and then got into the elevator before the door closed and the lights went out.

Part two began with an interlude of Tinashe entering the elevator. On the next floor, a lady enters and they have some dialogue.

Lady: Oh my, gosh! It's Tinashoo, Tinosha, Tanya
Tinashe: It's Tinashe.
Lady: Yes, Tinupshe, the 2 On girl, the Superlove girl. Why don't you still make songs like that?
Tinashe: Songs like what?
Lady: Like the 2 On song. Your new album's so boring. You need to hit DJ Mustard up again.
Tinashe: Well, that's my artistic expressions. Plus, there's some bops on there. You can bop to Sacrifices, Touch Pass, Truth or Dare!
Lady: But they aren't 2 On, girl .. Oop, I'm here at my floor. Can't wait to tell my friends that I met Tinoshi. Toodles!

Tinashe then rolls her eyes and gets out on another floor.

The video then ends and the arena goes pitch black. You can hear You Don't Know Me kicking in and the people can hear Tinashe's reversed vocals amongst all the pitch black-ness in the arena. As some synths start to kick in, a few spotlights fly around the empty stage and continue the dark and moody aesthetic. Suddenly, the elevator doors open and show Tinashe and two female dancers inside them. They're wearing some shiny grey jackets (with hoods) and pants that look like tin foil but also look very stylish at the same time. Tinashe sings "You don't know me like you think you do" and they all do some choreography in the confined spaces while Tinashe sings. Tinashe calms down a bit to sing the pre-chorus, while her dancers are going ham next to her. Tinashe and her dancers then get into a dance break for the breakdown and, to match the reversed sound of the instrumental, the screens behind them all look as if they're glitching. Tinashe then does some seductive moves, rolling around the elevator, as she sings in falsetto for the second verse. Her and her dancers then walk out of the elevator for the pre-chorus and chorus. A strobe effect is used for the chorus but it's not too bright or out there.

You Don't Know Me then goes straight into Vulnerable (a mixtape song). Tinashe and her dancers go further down the stage to do the choreography. Tinashe and the dancers then squat down and do a lot of mega-seductive and suggestive dance moves as Tinashe sings lyrics like "How ya like me now? / Do I turn you on?". The dancers then do all the leg work as Tinashe belts out "Don't stop looking at me" in the chorus. After the last "Don't stop lookin' at me", Tinashe looks at the crowd with a straight face as BO$$ begins, another mixtape song. Tinashe is singing the first verse without any movement but, once the drums kick in, Tinashe and her dancers do some quick Karate-ish movements with their arms and legs. They then do some freestyle dance moves to the chorus to make them look like bad bitches.

Tinashe screams "Where all my boss ladies at tonight? I know y'all will relate to the next song just as much cuz, when you're getting your paper and you got your own, you don't need to worry about some dude catchin' feelings". Tinashe's dancers then respond, looking disgusted. Tinashe then introduces Feelings by saying "Sing it with me". This performance was very simple and Tinashe didn't even do any of the choreography. She was just singing out on the platform, with her dancers doing some simple choreography behind her. The performance ended after the first chorus and switched to Soul Glitch. This was once again a very simple performance and was mostly a chance for Tinashe to interact with the audience. To match the lyrics, a bunch of ice was floating around the screens.

"You guys have been so good to me tonight. I feel like I don't deserve y'all. This next song is a collaboration I did with an amazing artist Kelela .. and I think I'm gonna need a little more help with this one. Where my boys at?". Here's when the men were shown coming out of the three elevators, wearing matching jackets, but ripped to show their muscles. The third female dancer also came out from the side of the stage to join them.

The song then kicked in and the dancers were all getting in formation. A cartoon was being shown on the screen of a bunch of hands, knocking on doors to each beat of the song. "T shirt off / Taste me". Tinashe was doing some simple movements by herself with the dancers doing full choreography behind her. "I can tell that you wanna take / My body, my body, baby / Tonight, yeah". The backing singers helped out in the chorus and Tinashe was simply bopping on beat from side to side, while her dancers were doing some seductive movements behind her. The girls were on the left and the boys were on the right and they were both flirting with each other and looking at either side of the stage through their dance moves. Tinashe continued to do her own thing for the rest of the song but, once we got to the bridge (which is also the end of the song), Tinashe walked backwards and her and her dancers came together to form a human centipede. They were all girating on each other for a bit before walking away. Tinashe walked to the back of the stage and turned around, with a pose, as the song ended with her saying "You".

Applause then kicked in and Tinashe immediately went into singing the verse. The elevator opened and she entered it to sing in the elevator. The screen actually showed the video for the song, which is in black and white and shows Tinashe suffering through an abusive relationship. She sat down in the elevator and passionately sang the depressing lyrics. "Can't find the air to breathe". As the beat kicks in for the chorus, Tinashe is bopping to the beat by herself in the elevator, her dancers are on the stage performing some hardcore choreography. Tinashe then stood up and got out of the elevator. She kept walking to the front of the stage while singing the second verse and, as the chorus came, the backing singers kicked in for the chorus while Tinashe was doing the choreography with her dancers. Tinashe ended the final move by quickly getting into a kneeling position and passionately belting out the lyrics to the crowd. "So where's my round of applause? / At least I know I get an encoorreee". She then belts her way throughout the rest of the chorus with her dancers behind her. She walks back into the elevator as the song comes to an end and sings a final "Hold the applause" as the doors close in on her. Perfect segway!

To begin part three was an interlude, with Lucid Dreaming playing in the background. Tinashe appeared to be naked but we could only see the top of her chest and her face. She was wearing the same artsy make up and hair look she used for the main DUSK photoshoots, with her hair pushed back. There are a few jump cuts of her making bland expressions with her face as the song plays in the background. "I still care 'bout being loyal and I always pay the price / I won't let 'em take advantage cuz I'm way too f*cking nice". She keeps making her modeling poses as the song plays. The final "My life" was filtered to be sung in a deep voice. The words "MY LIFE" came up on the screen and we then saw Tinashe entering the elevator again (on the screen) in a purple designer jacket, with the rest of our outfit being black. The computer in the elevator asks "Where would you like to go?" and Tinashe says "Up". The elevator responds by saying "And uup we go and away...". The video then shows Tinashs speeding up until the elevator door opens.

Up We Go immediately begins and we can see Tinashe standing behind a microphone stand. She begins to sing the song by herself in the elevator. "It's like you're lying on the tracks when you hear the train coming..". The screens are showing a video of a plane flying through the sky, but from the perspective of the plane (so all we could see was the sky). She sang the first verse and chorus by herself in the elevator and made her way out to move around to the "..Up we go and away" chorus. Tinashe then performed the second verse and chorus by herself on the stage, looking like a million bucks in her designer jacket. She then did some choreography, similar to Beyonce in the Run The World video, for the chorus drop again but the choreography reached a climax for the drop in the chorus, where Tinashe was just doing a bunch of fire moves by herself. She then belted her way through the final chorus, proving once again that she can sing.

For the next song, Tinashe gave a small speech to the crowd and a crew member handed her the microphone stand that she left in the elevator so that she could get on the platform and sing the song Crimes to the crowd. The song was essentially a ballad so it all took place with her just singing there. "Why after all these f*cking times / I gave you my heart and mind / You found another girl / And you left me here to die". A bunch of trippy psychedelic visuals (but in black and white) were on the screens for this song. A big smashing sound came through the speakers, with a visual of glass smashing on the screen, as we got into the last chorus. Tinashe skipped the second verse to make the song a bit shorter.

Tinashe let out a run for the last "Crimes" and the song then transitioned into Sunburn. She introduced it by saying "This one's about optimism. If you guys are feeling happy about life today, make some noise!". The visuals on the screen this time were here flying in the air again through a beach (in black and white), where everything looks beautiful. It was, once again, supposed to be trippy and match the song. "Got sunburn in my eyes, I been lookin' up".

The video then started to glitch a bit as the beginning part of Spacetime kicked in and it then transitioned into a video flying through space as the actual song kicked in. Tinashe sang softly in her falsetto. "Don't you act like you don't know me / Think about me when you're lonely". She was sensually moving her hips around and playing with her hair as she beautifully sang the song. As the first chorus ended, we then kicked straight into Ecstacy, a song from Reverie, an old Tinashe mixtape. "This next one's a mixtape song. If you like it, let me hear you sing". It was a bit more of a bop than Spacetime so Tinashe was able to pull the microphone away and move around as the sang the first verse and chorus, before ending it.

"This next song is my latest single and I wasn't expecting it to do so well on the charts but it seems like y'all really love it. Well, I love it too and I'm very excited to perform it for you guys. This is Ghetto Boy". She put the mic back on the stand and rolled her head around to get into the zone. She sang "Nothin' I can say while I'm driftin'" and made a jerking movement with her head on every drum hit. She was meant to be hypnotised by the vibe. For the pre-chorus, a big moon was being formed on the screen and it exploded into a million pieces on every drum hit. This continued so that a new moon was forming every time the other one exploded. We were flying through space again on the screen as Tinashe shook her hips around as she sang the chorus in falsetto. Her and her backing singers then soulfully belted out "Nobody's gonna hurt you / Nobody's gonna do this for you". For the second verse, Tinashe was acting less and she was more interacting with the audience. she sang the chorus from a lower key and the guitarist in the band then went HARD with the guitar solo in the bridge and Tinashe belted out her vocals, leading up to "RUUUNNIIIIINNNGGGGG". The band and instrumentation then reached a climax for the final chorus and Tinashe kept belting out her notes. As the song was fading out, the backing singers were having a belt battle and kept letting out runs and "Ooooh"'s like two gospel singers. In the meantime, Tinashe was heading back into the elevator and the door closed for her to leave again. The backing singers kept singing a bit more to entertain the audience before the next crop of performances.

The interlude for part four initially shows a bunch of men in a conference room. They're all wearing a suit and tie and are chatting about whatever, with either a coffee or cigar in their hands. One of them suddenly yelled "ARE YOU GUYS DONE IN THERE YET?" and you could hear a flamboyant man responding in another room with "Almost, sir". Not long after, the flamboyant man (who is clearly gay) enters the room and says..

Gay Guy: You guys! I'm finished. Are you ready to see the future biggest pop star on the planet?

*Tinashe appears in a blonde wig, pink blouse, black crop top that says "BUY ME" and tight fitted blue jeans*

Business Man 1: I love it
Business Man 2: I see nothing but dollar signs.
Tinashe: Are you guys sure this isn't a little over the top?
Business Man 1: That's what you need to be a star, darling. Don't you want to be a star?
Tinashe: I want to be a SUPER star!
Business Man 1: Then follow me. Here's where all your dreams lie.

*he takes her to an elevator*

Business Man 1: Listen up there! Can't you hear them calling your name?
*the crowd then starts calling your name*
Business Man 1: Tanisha, Tanisha, Tanisha
Tinashe: It's Tinashe.
Business Man 1: Who cares? There's a bunch of dollar signs out in that crowd and you're gonna get them for me. Good luck!

He then presses a button to close the door. A few spotlights were shining on the stage and alternating to the beat of the song Stop. The looped vocals were kicking in at first until the elevator opened and showed Tinashe in the same outfit. She was posing there, like a true pop star, and singing the lyrics. "You tried so hard / To take the life out of me / I let it slip away / Accepting defeat". We could see newspaper headlines on the screens behind them. Some of them could've been read in particular like "TINASHE IS FLOPPING" and "2 ON GIRL FELL 2 OFF". She then made her way to the stage, walking to the beat of the song, and kept signing out to the crowd. Her and her backing singers then sang the chorus together before her dancers all ran on the stage in some mixed matched outfits. They were all meant to showcase generic boy band, girl group and pop star looks from the 90s. Her and her dancers broke into some choreography for the poppy dance break. They then put their fists in the air for the final beat.

"What's up, you guys? My name is Tinashe and I'm gonna perform some multi-platinum hits for you guys. Is that okay? Alright. This one's called I'm In Control.

On the screen for this one was the music video to the song, showing Aluna and Tinashe having fun in high fashion. Tinashe and her dancers did some dancehall-ish moves as the song kicked in and Tinashe then went into singing the verse for her first #1 hit. "I’m a boss ass bitch and you can’t faze me / If you want some of this magic, then, you gotta pay me / Ain’t no man can ever tell me how to change myself / Cuz I’m independent and I don’t need nobody else". Tinashe also sang the pre-chorus and chorus for Aluna and did some more choreography for the dance break. The song ended after the bridge and another chorus to blend into Pour Your Love On Me. Tinashe was wining her hips as she sang the verse. "You don't know what I am capable of / See you watching me like ooh ahh / I'm just trynna taste it, I'm so tired of waiting". The rest of the performance was pretty cookie-cutter and consisted of some more choreography for the break.

Then some random mechanical sounds (like the sound of someone drilling nails or hitting a hammer) came through the speakers and Tinashe and her dancers were dancing along to it as if it was a song. The song them transformed into That's My Girl and Tinashe and her dancers were marching to the beat. The men left the stage and the three girls all stood in a straight line. They stared to their right side as Tinashe sang the first bar and then looked over to the other side for the next bar. The backing singers were very helpful here as they lent in for Demi Lovato and Rita Ora's vocal parts. Tinashe and her dancers then bent down and got back up again as Tinashe sang "You've been down before / You got up before / You've been hurt before". For the chorus, Tinashe mostly held the mic out to the audience for them to sing "That's my girl" repeatedly. The song then broke into Bad Love. The screens were showing a red siren flashing and some red lights were on the stage to make the girls look dangerous. One girl left the stage so that Tinashe and two dancers could make a perfect triangular formation. Tinashe sang her verse for the song and then did some choreography for the pre-chorus. She, once again, had the crowd singing the chorus before breaking out into another dance break.

The beginning notes in 2 On then kept repeating for a bit and got the crowd excited for the song to come on. Once it finally did, Tinashe sang the song in the centre of the stage and her other dancers started forming on the stage as well. Tinashe and her dancers were doing some choreography, which was linked up to allow Tinashe to sing at the same time. She then sang the first half of the chorus and relied on the backing track for the second half to do some choreography. Tinashe then sang the second verse to the crowd, belting out the final "IF YOU A LAME, YOU AIN'T MAKING NO NOISE" part of the verse. The energy then went up another notch for the choreography in the chorus. Tinashe then wined her hips as she sang the bridge and a lot more virtual instruments were added to the instrumental of the final chorus to add more energy and flare.

All Hands On Deck kicked in right as 2 On finished. Tinashe and her dancers were walking around the stage to eventually get back to their spots and shake their hips as some horns played over "Like that". The music video for the song was playing in the background once again. Tinashe sang the lyrics to the first verse and did some simple choreography. Most of the proper moves were in between the lines she was singing. For the chorus, her and her dancers were doing the signature choreography (which involves them brushing their arms against their thighs) and spinning around while doing it. Tinashe sang half the chorus and let the backing singers do the rest. The second verse was filled with even more choreography and, as we got to the "One by one, I watch 'em go down / Watch 'em fall down like dominos" part, Tinashe and her dancers did some choreography with the vocals playing in the background, with the drummer going crazy to add more energy to the track. For the bridge, Tinashe was singing at a slightly higher key and as she belted "Nooowww", her and her dancers broke into a dance break over an instrumental part before the final chorus came back.

Little Things kicked in once All Hands On Deck was over and Tinashe and her dancers were bopping from side to side to the first verse. "What if I told you I was true? / And bout it, bout it too?". The backtrack took over for the chorus as Tinashe and her dancers did some more choreography over the chorus. The rest was pretty much a repeat of every performance of this song from the past two years, along with a dance break during Nicki's verse. Like Big Sean did with Sacrifices, Nicki also sent in a video so that she could be shown on screen. The DJ added some strings to the final chorus to make it a big bigger and the lights went down as the song ended and Tinashe and her dancers threw their fists in the air.

The lights were then off and the arena was pitch black for a few minutes to prepare for the encore performance.

As the spotlights came back on, the screens were showing silhouettes of Tinashe and her dancers breaking into some dance moves over the drums and, right as the song Touch Pass kicked in, the elevator doors opened and Tinashe and her dancers were standing in some one-piece lingerie suits and high heels with their right leg poking out, looking like sexy goddesses. They were snapping on each beat of the song as Tinashe sang in falsetto "I'm your afterparty / I'll be open all night for ya". They all swapped legs for the second half of the bridge. For the pre-chorus, Tinashe and the two dancers bent down within the elevators and were striking some seductive positions, using the edges of the elevator as their weight. They went back to snapping for the chorus and then strutted their way onto the stage for the second verse. For the next pre-chorus, Tinashe's dancers were doing some choreography behind her while Tinashe was belting out the lyrics. She let out an "ANYTHING YOU WWAAANNNTTT" before she joined her dancers in dancing to the chorus, and then continuing as the backing singers sang "You / Oooh, oooh / Oooh, oooh". Tinashe and her dancers kept dancing and, for the bridge, the backtrack sang "Love with the touch pass" and Tinashe sang "You get that" in response. Tinashe and her dancers were then doing some regular "Girl-getting-ready-in-her-dressing-room-and-looking-in-the-mirror" type of dance moves for the rest of the bridge before going back to snapping on each beat for the chorus. Suddenly, the male dancers came on stage. They were shirtless once again and wearing big black fedora hats and black pants with black shoes. The DJ programmed a bunch of horns into the mix and they all performed some cabaret dance moves over the new horn remix of the song. The crowd was amazed that Tinashe and the female dancers were able to do this in their high heels. They all got in formation and raised their palms into the sky for the final beat of the song.

Tinashe then spoke to the audience as the few dancers that weren't in the Touch Pass performance came out and handed everyone on stage a different coloured jacket.

"You guys, the show is almost over! I've had so much fun with you guys tonight but we only have time for one final song and I wanna make it very special! The aesthetic for this tour and the entire DUSK era has been kinda dark and moody so, for this very last song, I want the whole arena to be filled with bright colours (A rainbow was forming on the screens as she said this) and I want y'all to celebrate life and just have fun with me for this next song". As Tinashe was speaking, one of her dancers put her in a yellow jacket. "This next song is dedicated to everyone that's in love and, if you aren't in love right now, that's okay because I love you ... I superlove you all for coming tonight! Here we gooo..."

The backtrack for Superlove kicked in with the "La la la la"'s and Tinashe sang "They will never love you, babe, like I love you". Her and her dancers were then doing some pop-it-lock-it dance moves on the stage before doing some running man choreography to "Ridin on that / Ridin' on that". The rest of the choreography was suggestive and seductive but more kid-friendly than most dance moves used throughout the night. Tinashe and her dancers did some cute side step choreography as Tinashe and her backing singers took it away with the vocals. Tinashe and her female dancers then created a twerking conga-line and shook their asses to the beat, before bopping from side to side. Tinashe and her female dancers then slowly bent down for the second verse and did all the choreo for the second verse, while kneeling or bending down. They all stuck their butts out as Tinashe sang "I'm your girl and I wanna be forever" and slowly made their way back up for Tinashe to belt "Superlove / Nothing will ever break this up / No, no, no, no, no". All of the dancers then re-appeared to do a dance break to the chorus, which was edited to mostly consist of percussion. The main track then kicked in and reached a climax as Tinashe and her dancers broke into the final running man choreography. Tinashe sang "No, no, no, no, no, no, no" and then "You know, you know, you know" to finish the song and performance, with coloured confetti flying over all the audience members.

As the crowd screamed for her, the instrumental kicked in once again and Tinashe thanked all her dancers, band members and crew by name. She then looked out to the crowd, thanked them for coming and said she wouldn't be there without them. She then walked into the elevator and looked out at the crowd as if she was going to cry. She kept blowing kisses to the crowd until she finally pressed a button in the elevator to close the door and put an end to the show. Once the doors closed, the lights came on and everyone left the arena.

SPOILER: Click to show

{spoiler}

There is one main rectangular stage at the back of the arena. One black screen is at the very end of the stage, the screens are attached to two more black screens who makes up a very wided V form. At the left side of the rectangular stage a big M is being put out in the middle connecting to a rounded stage at the very end of the M. Further in the crowd, there's a screen showing the camera following Miley Cyrus as she performs. They're are also little screens at the two sided black screens which shows Miley performing. In the main rectangular stage there are four stage lifts. In the rounded stage area of the stage there is also a huge stagelift, which is needed to be put up for the band who is needed in act 3 (out of the five acts) in the show.

SPOILER: Click to show

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Act I: Summer
1. "We Can't Stop"
2. "These Days"
3. "Ready or Not"
4. "Wrecking Ball"
5. "When I Look At You"

Act II: Spring
6. "Home With You"
7. "Do My Thang"
8. "Hurricane" (with Armani for only opening night)

Act III: Winter
9. "My Heart Beats For Love"
10. "I'll Always Remember You"
11. "Wherever I Go"
12. "Real and True"

Act IV: Neutral
13. "Summertime Sadness" (Lana Del Rey cover)
14. "Jolene" (Dolly Parton cover)
15. "Just A Little Bit Of Your Heart" (Ariana Grande cover) [This once changes every week]

Act V: Fall
16. "Deja Vu"
17. "Heart Hypnotic"
18. "I'm Still Good"
19. "Malibu"
20. "Party In The U.S.A."
21. "You'll Always Find Your Way Back Home"

SPOILER: Click to show

{spoiler}

Act I: Summer

Different smoke cannons are being lift off as the timer that is starting from 10 minutes ends to 0 seconds stating it's time to begin. As different backup dancers are coming on stage, showing it with bright white lights, the arena goes full dark. Miley Cyrus appear on the black visual screen at the end of the stage. It shows backstage footage of her [Miley] preparing for the tour. "The hardest feeling I have right now, is that I go up there and nobody shows up. That's my biggest fear" we can hear Miley say in the footage. Her fans scream in the audience. "I know that thousand of fans are waiting for me, screaming my name, knowing I can make every one of them happy if I just come up on stage and chat for them for a whole two hours instead of performing.. But, I'm not. I'm going to give them the party of their life and when it's over, they can't stop talking about it". The arena goes black once more, the instrumental for "We Can't Stop" can be heared, fans are screaming as a white light appears on the M-part of the stage. Miley is being put op on a lift as she reaches the stage and waves to her fans. For the song, she stays on the M-part of the stage and walks around a lot. When the song ends, she's at the rectangular main stage. "Hello [city]! How are you doing? My name is Miley Cyrus but you probably know that! ARE YOU GUYS COMING FOR A GOOD TIME?! Well, I'm going to give it to you! SING ALONG AND LET ME f*ckING HEAR YOU!"

"These Days" starts to play, the black visual screen in the back of the stage shows the music video of the song. Miley Cyrus is letting the intro to Drake as the audio can be heared. For the rest, she sings the song for her own, when the verse of Drake comes on, the audio plays his part and fans in the audience are rapping the part which blows away Miley's mind!

As the final word has been sung, the instrumental for "Ready or Not" comes on. "We all know the song of the summer right?!" she says before she's going to sing the song. During this song, she's walking mostly on the main stage as she walks to the stage lift at the middle of the M-part stage where she's being lifted down as she ends the song. The arena goes a little dark, as a white light shines on Miley. "This song is about a broken love, I rided a wrecking ball for the video, I guess you know it!" Miley says. After she's done the instrumental for "Wrecking Ball" starts, she sings the words very emotional as fans can be heared singing along with the song. Once she finishes the final words, the instrumental for "When I Look At You" begins. "I'm loving a guy right now and that's what this song is about!" she says as she starts off the first verse of the song. Towards the end of the song, Miley is walking towards the beginning of the M-part of the stage, where she's being pulled down via a stage lift. The arena goes full black as you can hear the chorus of "#GETITRIGHT" play in the background.

Act II: Spring

When the instrumental for "Home With You" comes on the crowd absolutely goes insane. As the instrumental before the song begins is very fast in between the first verse, Miley is being seen on the main stage where she sings the song. She walks the main stage as she waves to some fans left and right. "I wanna hear you, in front of the arena but also in the back! Don't be afraid to sing, everyone does it *laughs*" as she says that, she's walking up on the M-part of the stage where she finishes the rest of the song. When the instrumental for "Do My Thang" comes on, back up dancers are entering the main stage where they perform the choreography rehearsed for it, and also dancers are being shown at the M-part of the stage. Miley Cyrus walks with an attitude past the dancers as she walks to the middle runway part of the M-stage where she stands still. She's all sassy in this performance which fits the song perfectly. As she ends the song, Miley goes in for a little chat with the audience.

"How are you guys feeling tonight? I got to say, I was sh*t nervous for this night.. Been preparing for it ever since and all of the sudden I got the flu yesterday, that's why I couldn't go through with my attendance and performance that was scheduled for the VMAs yesterday, but I knew I had to stay home so I could be in f*cking Vancouver tonight performing for you guys! The get well soon messages in my social media DMs were so touching and I couldn't be more grateful! Well, enough pitty talk, I got a special surprise coming up later tonight, but let's go, this is Hurricane!"

The instrumental for "Hurricane" starts as Miley sings the first verse. Once they come to the part of where Armani is supposed to sing, the instrumental goes off. Smoke appears on the main stage as the instrumental starts and the audience hears Armani singing her verse. They can't believe it, Miley points her finger to the main stage where Armani stands, smiles and waves back to Miley. Miley is walking towards the main stage where she stands by Armani's side to sing the song together with her. When the song ends, a stage lift brings them down but not until they give each other a tight hug which can be seen by the whole audience.

Act III: Winter

Miley is being put on the stage where she sits on a chair. A piano stands next to her with her piano man playing the piano. He plays the instrumental for "My Heart Beats For Love", the black visual screen behind Miley starts to flicker as different photos from different gay prides around the world show up on the screen. Amsterdam Pride, Manchester Pride and so many more prides are being shown on screen. When she finishes the song, Miley is a little teared up but hides it, the screen goes black as Miley switches places and now sits behind the piano.

We can see fake snow falling down on the main stage as the instrumental for "I'll Always Remember You" comes on. Her microphone is being plugged in on a microphone stand as she sings the song very raw, with her pure clear voice. This also counts for "Wherever I Go", which is the song she sings after "IARY". During "IARY & WIG" she sits behind the piano as she plays it and sings with her pure clear voice. After she finishes she stands up to perform "Real and True", what people didn't know is that she shot a video for this song when she still had short hair. This video is debuting on the black screen behind her as she sings the whole song on her own except for Future's rap verses. When the song ends, the arena goes black and "FU" can be heared in the background.

Act IV: Neutral

As light appears in the arena and three bright white lights shines on the circled part of the stage at the end of the M-stage we can see a whole acoustic set being lifted up via the lift stage with Miley sitting on a comfortable couch. "Time to switch it up a little, you know I love so many songs and I wanted to honour them in this set. I'm going to cover some of the songs I like at the moment and doing them acousticly, so I hope you guys like it".. The band starts playing "Summertime Sadness" which the same instrumentals as she had when she performed this cover for the first time at BBC Radio 1. She's putting her raw voice into works for this and she sounds beautiful.

After she finishes the song, the band starts playing "Jolene", a cover by Dolly Parton. It's a more upbeat song ofcourse, so Miley stands up from her couch as she walks around the circled stage to catch a smile of every fan in the audience watching her. When she ends the song, the band isn't ready to start the next song because Miley is speeching.

"This next song helped me through a hard time in a point of my life. The song is from Ariana Grande, a good good friend of mine and I hope she likes this version of the song I'm about to do!"

The band starts to play the acoustic instrumental of "Just A Little Bit Of Your Heart" a song from Ariana Grande. She goes back sitting on the couch, as she puts her raw pure clear voice to the light as she opens her mouth to sing this song. Different flashlights are being put on in the audience and the crowd is stacked with all the phonelight flashlights on, it looks amazing and it touches Miley's heart that she cries during the last two lines of the song. When the song ends, the arena goes black as the lift brings her down backstage.

Act V: Fall

The instrumental for "Deja Vu" starts, different stage firework goes off and different stage lightning is being shown in the arena. The party is on as fifteen backup dancers enter the empty main stage as they perform the choreography. Miley Cyrus is performing on the M-part of the stage. During the verses of Nicki Minaj, the audio can be heared so that Nicki is singing and Miley goes in with the choreography a little as she touches fans hands and takes gifts from them. When she ends the song, the instrumental goes on to "Heart Hypnotic". The stage is a little darker in the beginning as the songs begins, but during the chorus different lights are being shown throughout the arena as the song goes more upbeat, dancers are dancing their asses off as fans are having the time of their lives in the audience.

"Guys! It's only four more songs and then the first night is over and I don't want it to end! So be as loud as you can possibly be! I want to hear you!"

The instrumental goes to "I'm Still Good", the main stage is being fully lighted as Miley runs to there while she sings the song. The M-part and circled part of the stage are being blacked out with a little light shining on it so Miley can see her fans! She's enjoying herself so much on stage, after she ends the instrumental for "Malibu" starts, people are screaming as they love this song so much! Miley is putting her raw pure voice in this performance and does some high notes with the long "oh oh oh's" at the almost end of the song. When she finishes the song, she goes in for a little speech.

"So, this next song is Party In The U.S.A, but we all know the party is really here tonight! So, I want you to sing along all the words. My team will take some of my fans on stage who are singing the loudest and they can join me on stage for the last part of the song! So, keep your voice low now, and sing along with Party In The USA!"

The instrumental for "Party In The U.S.A." and Miley Cyrus holds her microphone in the air. You can hear the whole arena sing along with the song and Miley is over the moon, running around on the stage out of joy and happiness! Five poeple who has seat tickets are being told to join Miley on stage and 15 people from standing places in front of the stage as being told to join Miley on stage. Miley sings the song further as she takes the time hug every people on the stage. As she ends the performance she thanks the fans for coming on stage and joining her as she blows a kiss to every 20 of them!

The last song is "You'll Always Find Your Way Back Home" as the instrumental plays. Miley Cyrus is enjoying herself for these last four minutes on stage as she realises the opening night is almost over! She's dancing around the stage really weirdly as she laughs when she's done with that. She stands in the middle of the M-part stage as a lift pulls up her higher and higher to the arena. She waves to her fans, and when the song ends the instrumental for "YAFYWBH" can be heared in the background! Different stage fireworks and confetti are being blown in to the arena as the song comes to an end.

"Thank you, guys! I love you so f*cking much! Thank you all for coming! I'm so sad it's over but I have to go! I love you, I love you, I love you! I'm so happy the first night went so great! Thank you guys! I LOVE YOU!"

SPOILER: Click to show

{spoiler}

NOTE: The white rectangles are small screens that lower in for a few songs in Shawn's set. They are no permanently on the stage and are not present at all for Nicki's set at all.

SPOILER: Click to show

{spoiler}

1. Wish It Was Over
2. Sunday Bloody Sunday
3. Just A Mistake
4. Only the Lonely
5. Oasis
6. Rain
7. Barely Breathing
8. Let It Be (The Beatles cover) (tribute to California shooting victims)
9. Every Breaking Wave
10. I See the Sun
11. Boys and Boys
12. Lights in the Sky
13. Stronger (Britney Spears cover)
14. Forever Young

SPOILER: Click to show

{spoiler}

The show begins with David Bowie’s “Rebel Rebel” playing over the PA system. The lights in the venue stay on but the crowd knows that the show is about to start. But to the audience’s surprise, at the back of the venue, Shawn’s band walks out from one of the entrances and walks to the stage as the song continues playing. Then, Shawn himself appears coming from the same entrance. The crowd goes wild as Shawn walks through the crowd to the stage. He stops sometimes to hug fans, take a photo with them, or quickly sign something. He then steps up onto the stage throws his hands in the air as the crowd roars! As “Rebel Rebel” fades out, the lights in the venue go out as well. I the darkness, there are around two dozen small LED screen panels that lower down in front of the main screen. In this darkness, Wish It Was Over begins. On each piano note in the song’s intro, one of the small LED panels come to life showing static. It’s a breathtaking visual. Each individual panel coming on with the individual piano notes. When the rest of the band crashes in, the stage lights burst on and the static fades from the screens and is replaced with images of war and riots and unrest, mirroring the song’s lyrical content. Shawn keeps his playing tight but still angry. His voice carries that same impassioned anger. The lights are all deep reds and oranges making for a fire like glow throughout the performance. When the guitar solo comes in, steps away from the mic and really lets loose. It’s almost as if he’s unaware of the audience’s presence, instead intently focused on his playing. He comes back to the mic to finish the song off. At the song’s conclusion, Shawn throws his guitar pick into the crowd and goes off stage for a guitar change. While this is happening, the main screen and the two dozen smaller screens take on images of soldiers at boot camp. Shawn returns to the stage as Sunday Bloody Sunday begins. Throughout the performance, the screens follow these soldiers through boot camp and then all the way to their fighting in the war. Like the previous song, Shawn delivers the music with fevered energy. His vocals take on the raspy but still strong tone that they do on the album version of the song. At the songs conclusion, the screens move to showing a military graveyard, revealing that the soldiers the video followed died in the war. When the song ends, all of the screens and lights go out.

A spotlight comes on Shawn who talks to the audience. “Las Vegas how are we doing tonight? Thank you so much for coming out to spend the night with Nicki and I. It’s been a while since I’ve been in Vegas and and I forgot just how much fun you all are! I’ve been overseas for a while so it’s good to come back here and spend a little bit of time with all of you before heading back. Now tonight I want you all to have the time of your lives okay? We’re here in the moment. We’re here to make some noise, to blow the roof off this place. I know you’ve got it in you. Let’s show everyone what Sin City’s capable of okay? Alright here we go!”

The spotlight goes out and it’s in the darkness that Just A Mistake begins. As the song’s introduction comes in, part of the stage below Shawn begins to slowly raise up with him and his mic on it. By the time the vocals begin, the platform has Shawn about 15 feet above the stage. From below that platform below the stage, a young woman crawls out onto the stage. She appears disheveled, almost erratic. She’s a drug user (of course it’s just an actress), assumed to be the same user the song talks about. Throughout the song, she is all over the stage appearing to be having serious withdrawals from the drugs. The screen visuals are distorted and there is an effect on Shawn’s mic that makes his voice distorted as well. Toward the end of the song, the platform begins to lower back down. Shawn takes his guitar off and stands with his back to the woman. She comes up to him and hugs him but is seen reaching into his pocket for Shawn’s wallet, of course to get a new fix. Shawn takes her hand away and walks to the back of the stage up the small set a stairs up to the small elevated part of the stage. The woman collapses to the floor in anger as the sound of police sirens are heard and police lights glare from the sides of the stage. She is lowered below the stage, ending the song. It is at this point that the two dozen LED panels raise back up and out of sight. Shawn is handed another guitar and he begins Only the Lonely. For this song, Shawn remains on the small elevated platform. His guitar however is no normal guitar. At the most pivotal dramatic moments in the song, the guitar emits plumes of smoke. Shawn’s band members’ instruments do as well. By the mid point of the song, the stage is covered in this dense fog. For the iconic guitar solo, all of the lights except for lights at the back of the stage go out. The lights at the back of the stage are blaring white. This allows Shawn’s silhouette is casted on this smoke in the room making his shadow large and imposing. It’s a breathtaking effect. As the song moves toward the conclusion, small fans in the stage begin to blow that smoke away. At the song’s conclusion, the smoke has dissipated. Shawn steps down onto the main stage as the lights at the back go off to leave the back elevated platform in darkness long enough for stage hands to bring a piano on.

As this happens, Shawn talks to the crowd once more. “This next song comes from Revelation. It’s a song that means something completely different to me now than it did when I wrote it. When I wrote it, the song was about finding my way in the world alone for the first time in my life. But now, it’s taken on something else. Now that I’ve been out for so long and I’ve seen so many different people and heard so many different stories and been in so many different situations. Now, this song to me isn’t about finding one's way out in the world alone, it’s about finding one's way through the barriers they put up for themselves. We’re all our own worst enemy sometimes and sometimes the biggest thing we have to overcome is ourselves.”

With that, lights illuminate the piano on the elevated platform. Shawn’s band has left the stage seeing as this ia piano only song. Shawn goes and sits at the piano and begins Oasis. There isn’t any huge effects on this song, rather Shawn, his piano, and his voice are the main event for this song. As Shawn beautifully delivers the song, a tranquil video of Shawn walking on the surface of a calm and soothing ocean however that visual is contrasted by storm clouds rolling in in the skies above. Shawn’s voice is haunting. There are slight sound effects on the mic to make Shawn’s voice echo throughout the room as he sings. At the song’s conclusion, we see the clouds on the screen open and begin to pelt the screen version of Shawn with rain. We linger on the rain falling as Shawn begins the song Rain, one of the emotional center pieces of Revelation, written about the death of one of his closest friends to cancer. The two screens on the side of the stage continue showing rainfall but the main screen on the stage now shows photographs of Shawn and the friend the song is written about throughout their time as friends. The photos start with the earliest memories and they move forward in time as we watch Shawn and this friend grow. We enter the time clearly after the cancer diagnosis and we see the friend losing weight and getting a bit more frail. By the end of the song, we see a simple photograph of a headstone with flowers all in front of it. Shawn keeps his vocals soft but it’s full of so many emotions: sadness, fondness, confusion...but it just ads to the weight of the moment. As the song comes to an end, Shawn lets the last note ring out and echo as the friend’s name is displayed on the screen.

The crowd cheers at the conclusion, solidifying the breathtaking moment. Shawn smiles at the crowd before speaking to them. “It’s been a long time since I’ve played that song and I forgot what it felt like. Thank you for allowing me to take that moment to share that with all of you. This next song is the first single released from my most recent album. It’s a song that I debated on whether or not I would include it. It’s the most intense song I’ve ever written. When I was younger, around the MAGCON days, I developed this crippling anxiety that did quite a number on my emotions. I never came to the point of attempting to take my own life, but the what if question came into my mind. And I know that millions of people do in fact try to take their own life. This song’s about those thoughts, those feelings...it’s a song that I hope continues to bring awareness to the subject.”

Shawn’s band returns as Barely Breathing begins. The opening of the song is piano only so they are taking their spots while Shawn sings. The screen throughout the entire performance shows statistics of suicide and depression around the world. Before the full band crashes in, Shawn stands from the piano and is handed a guitar. He heads back down to the main stage level just in time for the full band portion which flows through the rest of the song. Shawn is intensely passionate for this song. You hear the weight in his voice. You really feel that emotional wave coming over him and it’s magnetic. You can’t take your eyes and ears off of him. At the song’s conclusion, Shawn once more throws his guitar pick into the audience for a lucky fan. Shawn talks to the crowd.

“I was going to play another song up next but in light of recent events, plans changed a little. On Wednesday night in California, a man walked into a crowded bar and opened fire. In the end, 12 innocent people were dead, dozens of people injured...and a further countless lives of survivors, families of victims, friends of victims forever changed. It’s familiar to us all. Different details...but the same story. But that still doesn’t change our hurt, our shock. I want to take this time to honor those lost. I also want to take this time to insist that we all don’t respond to this tragedy with hanger. Hate cannot fight hate. We must combat this horror with love and unity. Love overcomes anything that stands in its way.”

Shawn goes back to the piano. On top of the piano are 12 candles, one for every life lost in the shooting. Shawn delivers a beautiful tribute to the victims with a cover of The Beatles’ Let It Be, a universal anthem for recovery in the face of tragedy. The audience joins in. The entire room lights up with the audience’s phones. Shawn keeps his vocals calm and controlled. There is no screen content. Just the candles and the audience’s lights visually accompany this song. At the song’s conclusion, Shawn stands from the piano as the candle’s are burned out by hidden fans, ending the song. There is around 30 of darkness as the crowd cheers. Then, the sound of waves and the beach is heard. The screen comes to life showing a beach as Every Breaking Wave begins. Shawn’s band is of course back on stage and Shawn is at his place center stage at the mic. Throughout the song, the screen shows a video of someone dancing on the beach as the tide comes in. The crowd screams the lyrics to this song, one of Shawn’s biggest hits. Shawn is totally amazed with their singing and he smiles the whole way through the song. At the song’s conclusion, the screen shows the tide coming in and covering up the camera. Shawn smiles as the crowd cheers wildly.

He goes to start to talk but the audience’s cheers grow even louder. Shawn can’t help but just smile and marvel at the crowd. He throws his hands up in the air and makes a heart with his hands. Shawn finally gets to talk to the crowd.

“First of all, thank you so, so much! You all are absolutely incredible! I know not all of you are my fans. I’d wager that half of the people in this room are here for Nicki so I really appreciate the love you all are showing me tonight. It truly means the world to me! Before I do this next song, I’ve got to take a moment to speak about the person it’s written about. He’s in the crowd tonight somewhere, I’m not sure where. But I’m gonna say this no matter where he is. So it’s no secret that I’m in a relationship with someone who’s been such an important part of my life for a long time. We fell out of contact for a time, something I’m very guilty for. But he’s back in my life and he came at a time when I needed him most. After everything that happened with Nick, I fell into this hole of sadness and anger. It got me sick as you all saw in my film. It beat be down much harder than I ever thought I could be. I fell apart for a time and lost a grip on so many aspects of my life. My happiness for one. But then he just seemed to come from out of nowhere. Seemed to just walk through the smoke and made it all clear. He listened to my fear and my sadness. He held me when I just had to let that emotion come streaming out. He picked up the pieces of me that I had let go and he put me back together in a lot of ways. And I’m forever going to be in debt to him for that. Cam...thank you for helping me make sense of the world again. This song’s for you. It’s about how you changed me back then and it’s about how you’ve changed me now!”

Shawn goes back to the piano and begins “I See the Sun”. From above the stage, three large white projection sheets unravel. They reach the stage floor but they are tall and rectangular, not that wide; the way they unravel, Shawn and his band can be seen between each sheet. On the sheets throughout the song, footage of Shawn and Cam throughout the time they’ve known each other, especially the MAGCON days, is shown projected on the sheets. Shawn, as he always does with this song, is completely giving it all he’s got. Even though he’s at the piano, he’s keeping his energy up. He’s able to see the projections through the otherside of the sheets and he’s seen taking glances at them and smiling. As the song approaches its end, the sheets fall away. On the main screen we see a sun rising. Suddenly though it all goes dark. All of the lights, the screen, everything goes off. Then a single light at the back of the stage illuminates Shawn from the back: we only see his silhouette. He stands from the piano and walks down to the main stage level. Suddenly, the inside of his shirt on his chest in front of his heart, a light comes on and it appears to the audience like his beating heart illuminating. On the screen behind him, an image of Cam is shown with a beating heart on his chest as well. They beat together, a beautiful reference to the love the two of them feel. This stops and the lights go off again, completely ending the performance.

Spotlights come back up on Shawn and he talks to the crowd. “I don’t know where you are out there tonight Cam, but I just want you to know what you mean. Now before we get going on this next song, I’ve been seeing some of the signs that some of you have brought. I wanna see them a little closer.” Shawn points to four different people with signs for him. “You four come on up here!” The fans all come up onto the stage. The stage lights are all turned on so everyone can see. Shawn takes a minute to talk to each of them, signs their posters, gives them all a guitar pick, and takes a few photos with them before helping them down off the stage. “Thank you all so much for your signs, to everyone else that has them that didn’t get to come up here I see them and I love you all too! And to all you all out there without signs I love you too! Alright so this next song was my first single and it not only kicked off my career, but it kicked off controversy. And in light of some recent developments, I’m sure it’ll cause more. I just wanna say that you are you and you don’t have to change who you are, who you love, or how you feel for anyone. For anyone out there that’s come across someone who wants to berate you and call you all kinds of things for the simple reason of who you love...f*ck ‘em. They’re not worth the hurt.” The crowd cheers!

Shawn and the band then launch into Boys and Boys. The lights are all shining in different colors of the pride flag. But for this song, all of the venue lights are turned on as well. Even those that are there for Nicki seem to know this song. With the venue lights on, Shawn can see the whole crowd and they all sing along to every word with him. As soon as the song ends, all of the lights, stage and all, cut out and the room goes immediately dark. In this darkness there are around 30 invisible wires that are lowered from above over the audiences heads, each wire having 30 small lights on them. They illuminate and it looks like a field of stars. A single spotlight illuminates Shawn at the piano as “Lights in the Sky” begins. Shawn stays at his piano for the piano only first two verses and first two chorus. It’s only his spotlight and the lights on the wires through these parts. However when the crescendo up to the full band part comes in, Shawn stands from his piano and takes his mic with him. When the full band part crashes in, the wires are raised back up and all of the stage lights come on. Shawn gets off the stage and runs through the audience as he energetically delivers the final two choruses with the full band accompaniment. Shawn then runs through the entrance he came through as the band plays an added instrumental bridge. Shawn then appears on the second balcony level as the song comes to an end.

“I wanted to come see you guys up here! How are you all doin’ up here?” They cheer. “Good! I’m glad. So I’m gonna do the next song up here with you guys. This next song isn’t one of my songs, it’s a song by a close friend of mine. Now, I’ve always loved this song, but since all of what happened with Nick happened...it’s taken on a new significance for me. I’d like to dedicate this song to anyone and everyone who’s been affected by domestic violence...it’s a hard thing to face but it’s possible to move on. You’re strong. We’re strong.”

On the stage, a large projection curtain lowers and covers the entire stage. Shawn’s guitarist stays on the stage behind the curtain and plays the acoustic (Shawn can’t because he’s on the second level). It’s an acoustic cover of Britney Spears’ Stronger. Shawn sits on the stairs between the isles on the second level and sings the song. Projected on the curtain is a cycle through of around 50 people, all victims of domestic violence, holding signs that say “I OVERCAME. YOU CAN TOO.” As the song draws to its end, the number for the Domestic Abuse Hotline is projected as Shawn makes his exit from the second level and quickly makes his way back down to the stage.

As he arrives at the stage, the curtain lifts. Shawn goes to his mic. “Before this last song, I wanna do something special for the most special woman in my life. Two days ago, my amazing mother celebrated her birthday. I made it here just in time to celebrate with her in person but she’s here tonight and I want all 2,500 of you to help me celebrate her just a little bit more. My Mom has been my biggest supporter for my entire life. She used to drive me around Toronto to these little gigs such as birthday parties, coffee bars...all over. And she did it without ever complaining. And she does that even today. In fact she drove me here tonight because I left my wallet at home in LA before I flew out here.” The crowd laughs. “So Vegas can you help me sing my Mom the biggest Happy Birthday you’ve got?” The crowd cheers and Shawn leads everyone in singing to her. The crowd then cheers for her. “Alright Vegas this is the last one! Here we go!”

Shawn and the band then launch into the final song of his set, Forever Young. The performance doesn’t feature any big effects or anything. It’s just Shawn, the band, and the crowd all having a good time. The crowd surprises Shawn by being well versed in this song as well so they sing it all back to him. At the song’s conclusion, Shawn and the band all deliver a big bombastic finish. On the last note, all of the stage lights come on.

Shawn’s band members put their instruments down but stay where they are. Shawn takes the time to introduce them. “Before we go, I gotta give the spotlight to these 4 incredible guys behind me. They’re the best band on the planet and they just so happen to be 4 of my best friends in the whole world. First up is my incredible rhythm guitar player. Let me hear you scream for Matthew Morlan!” The crowd cheers as Matthew comes forward and stands next to Shawn. “Up next is my bass player and the oldest guy on this stage at the ancient age of 23.” Shawn and everyone laughs. “It’s Paul Pitcher!” The crowd cheers as Paul comes forward and stands next to Shawn on the other side. “Next is my keyboard and backup piano player, the amazing Alex Coe!” The crowd cheers as Alex comes forward and stands next to Matthew. “And last is the first person who came to the band and a guy I’ve been friends with since I was 13 all the way back in the school days, Austin Eldridge!” The crowd cheers as Austin comes forward and stands next to Paul. “And she had to leave right after she was up here but the actress who played the girl in Just A Mistake is Janet Cross and she’s amazing too so give it up for her!” Shawn and his band then all bow together. Shawn throws the last few guitar picks on his mic stand out into the crowd before blowing a kiss and leaving the stage with the band as the crew comes and starts setting up for Nicki’s set.

SPOILER: Click to show

{spoiler}

1. Snatching Crowns
2. Half Back
3. Rich Sex / Apesh*t
4. Good Form
5. LLC
6. Games / Hurt You
7. Adore / Senseless
8. Majesty
9. Barbie Dreams
10. Wrong
11. Switch Up
12. Thought I Knew You (with Shawn Mendes)
13. Anaconda
14. Super Bass

SPOILER: Click to show

{spoiler}

The performance began with the lights in the venue going down. The crowd were screeching at the top of their lungs because they knew Nicki was about to come out. As the lights were still down, snippets from a few YouTube videos could be heard through the speakers.

"This all begs the question: Is Nicki Minaj still the Queen of Rap?"
"Can you really be the Queen of Rap when all these other girls are breaking records?"
"She needs to let this Queen thing go. Sit down, be humble"
"We have Kash Doll now, we have Cardi B now, we have Miranda Sings now. We don't need Nicki Minaj anymore" - Wendy Williams

Headlines then show up on the screens, with writing such as..

"MIRANDA SINGS BREAKS FEMALE RAP RECORD, SURPASSING NICKI MINAJ"
"NICKI MINAJ EMBARRASSES HERSELF WITH BRIT AWARDS PERFORMANCE"
"NICKI MINAJ DETHRONED AS QUEEN OF RAP"
"FORMER QUEEN OF RAP NICKI MINAJ RESPONDS TO MIRANDA SINGS"

The lights then go out again and you can hear Nicki saying "Did somebody call for the Queen"

Smoke suddenly covers the stage and Nicki rises out onto the stage through a slider, wearing Dior undergarments, an iced out Barbie chain and a clear jacker, hat and thigh high boots. The beginning trumpet riff for Snatching Crowns played on repeat a few times, while Nicki was entering the stage and the crowd was screaming their lungs out for her. Nicki was looking down as she came up and she raised her head as her cue came in. She confidently and fiercely rapped "Guess who the f*ck just came back in town? / I heard a few girls are profiting off my sound". For the next few bars, she went from fierce to sarcastic and witty with her vocal tone. After "Ya big nose isn't looking cute on ya big head..", she walked to the left side of the stage and then kneeled down a bit to get the lyrics out to the crowd. She then got up to get to the centre of the stage and you could see her dancers getting onto the stage. Two guys and four girls all got in formation. The female dancers were wearing matching undergarments with Nicki (but without the clear accessories) and the guys were wearing matching boxers, as well as a see through jacker (so their entire chest can be seen) and a matching hat to Nicki. They're all wearing black shoes to suit them while they're dancing. From the verse to the chorus, the visuals on the screen changed from pitch black to visuals from the Snatching Crowns video. For the chorus, they're all doing a pose on each hit of the snare, and then the dancers are doing choreography while Nicki freely moves around during the "Just know that whatever you give comes back around / I'm bout to school these bitches, here's ya cap and gown". For the second verse, the dancers were doing their own thing with the choreography in the background while Nicki was front and centre, rapping the lyrics. To blend in a bit with the dancers, Nicki started walking to the back of the stage and stopped at around the centre, before turning around to rap again. Similar choreography came back for the chorus, but with Nicki and all the dancers being in different places than where they were during the first chorus. Nicki walked back to the front of the stage to get ready for the bridge, where her and her dancers all got into some ratchet choreography over the 808 breakdown. A few sound effects were added into the instrumental to over-emphasise a few of their moves. As the Melodic part of the bridge came, Nicki gave up on singing and just said a few "Cmon"s as she realised she can barely be heard when she's singing so low. She then joined in for the second part of the bridge, sitting at a higher octave. The dancers all posed with their hands on their hips as Nicki said the last "Throne". Nicki then elegantly said "Many Queens have their Crowns stolen but only real queens know how to snatch theirs right back ... VEGAS, LET'S GOOO". Nicki was very chill during the last chorus. She didn't drop the mic in this performance, since she needed to use the same mic for other songs this time around. She turned around and strutted over the final parts, then turned around on the last beat and all of the dancers were down on their knees, hailing their Queen.

The opening riff for Half Back played a few times as Nicki picked up the mic and walked closer to the crowd. "Good evening, Vegas. Welcome to this once in a lifetime show, Headlines by me and my boo, Shawn Mendes. I see Team Minaj and Team Mendes in the building tonight. So much power in one room. Are y'all ready to feel powerful?".

You could hear "Work hard just to get half back.." through the backtrack and the crowd was screaming the lyrics. At this point, the boys had left the stage and it was just Nicki and two girls. Nicki waited until the beat dropped to get into the song. The choreography for the chorus consisted of them raising their hands to one side, pushing it out to the beat of the song and then jerking around to the other side as "Back" was said in the lyrics. The dancers were doing some generic trap choreography while Nicki was walking around the stage, rapping the lyrics out to the crowd. "I'm the trophy of the game, everybody trynna win me". During the "Mirror, mirror, who's the fairest?" part, Nicki turned to the screen at the back of the stage and you could see a video of Nicki in the same outfit, in front of a black backdrop, lip syncing to the mirror lines. The "Would you rather move weight.." part was skipped again so they went straight into the chorus. Nicki then rapped out the second verse and did it more confidently and animated than she did with the first verse. Nicki quite fiercely screamed out "I AIN'T NEVER HAVE TO STRIP TO GET THE POLE POSITION / HOES IS DISSIN, OKAY, THESE HOES IS WISHIN? / YOU'RE IN NO POSITION TO COME FOR O'S POSITION". The performance ended after the final chorus, with Nicki and the dancers doing their weird waddle dance move. Nicki threw her arm in the air on the final beat to end the song.

The dancers then walked off the stage and Nicki said "Thank you to my girls" as the instrumental for Rich Sex started to play. "Who's ready to party it up in Vegas tonight?" said Nicki as she took of her jacket and threw it on the ground. She then started rapping the lyrics in her ratchet voice. The screens behind her were showing shots of money being thrown around. Nicki got on her knees and started to hump the floor as she rapped the seductive lyrics. "Ass out, puss* fat / Point me to a rich *****". If you were sitting at a good angle, you could see her ass cheeks clapping to the beat as she rapped "Imma help him f*ck the cheque up, imma run a business". Two of her male dancers also got on stage at this point with two cash cannons and were throwing money at her ass. Between you and I, this was lowkey supposed to be Cardi shade :tehe:. She then got back up for the end of the verse. There wasn't any proper choreography for the chorus. The boys were already backstage (with one of them taking Nicki's jacket off stage for her) and Nicki was just by herself having fun. The final "Rich Sex" was used as a transition into Apesh*t. Nicki went straight into her verse and was doing it herself on stage. Visuals from the music video were shown on the screens behind her. Nicki stood still in the middle of the stage as she rapped out the final four bars of her verse and four male dancers (Two that hadn't been seen before in this performance) came on stage to get ready to dance to the chorus. They were all doing regular trap dance moves that you would expect to see in any Instagram video with a Migos song playing in the background. Nicki was just enjoying herself in the centre of the stage, as Kash Doll was heard through the speakers. The sound of a bomb went off to end the song.

"Give it up for my sexy boys in the building tonight .. and I wanna hear y'all make some noise for Kash Doll and CupcakKe. That was APEsh*t. We got the #1 song in the country on iTunes. I was surprised because people have been saying lately that I can't get #1 hits *giggles*. Anyway, this song is for my girls. I want my girls to come out. Let's go".

The girls then walked out as Good Form began. As the beat dropped, the girls all bent down and were twerking to the beat of the song. Nicki was in the centre of the stage, shimmying around as she rapped the lyrics. The screens were showcasing a lyric video for the song. The girls then stopped twerking after Nicki's second "Hol' up.." part and they turned around to do some choreography. The 'Good Form' choreography consisted of them facing one side (either left or right), and waving their arm around over their thigh as if they were going to slap it. They do this four times on each side, matching the beat of the song, and then they wave their arm in the air before switching to another side and doing the same choreography. As the best got more ridiculous, the dancers then did some moves as if they were doing jump rope, but without the ropes. Nicki stopped rapping and let the backtrack do the talking for "Run me the money", with the lyric video being set up as if she wanted to crowd to sing "RUN ME THE MONEY" at that time. The dancers went back into some hardcore choreography for the chorus, with Nicki rapping in the centre. Nicki and the dancers then all did some synchronised choreography, by spinning their arms around as if they're steering a car during the "Back of the Bach.." breakdown. They all stand still as the beat calms down a bit and then everyone on stage bends down as Nicki says "I tell him eat the cookie cuz it's good for him" and they then do the pat my puss move, patting their vagin*l areas to the beat of the song. They then do the same slapping choreography before but with their puss*es and not their thighs. Nicki then stood up for the next verse and her dancers are running around the stage, to eventually get into different positions. As Nicki says "I'm in that new new De La Renta channeling Bugs Bunny". Her and her dancers do some more steering wheel choreography, but they get their legs and knees involved this time, bending to one side on each beat. The same choreography then comes back for the chorus. The girls then calm down for the final part of the song, before breaking into the slapping thigh choreography as the beat keeps building up. For the final instrumental part of the performance, Nicki struts to the back of the stage and her and her dancers do some simple moves, as if they're modelling, and taking a break from the over-the-top choreography. They all pose on the final beat.

They all paused for a few seconds, to give the girls time to regroup and give the crowd some time to cheer. Suddenly, the chorus for 'Truffle Butter' kicked in and the girls were already doing some choreography. Nicki strutted her way to the front of the stage to rap her verse. She was being as animated as possible and was able to get more words out than in the Good Form performance, because she wasn't dancing around this time. "Man, this that 100 million singles sold / I ain't gotta compete with a single soul / I'm good with that ballpoint game finger roll / Ask me how to do it, I don't tell a single soul / Pretty women, what's up?". As the chorus came, she let out some ad libs to the crowd as the girls behind her were dancing. The girls were all strutting off the stage as the instrumental outro was playing. Nicki thanked them for coming out and doing their thing and the outro for Truffle Butter started to slow down a bit and then get a lot slower.

The song then transitioned to the "Stop playing games, games, games, games" part of Games. Nicki went straight into her verse as she was alone on the stage. "Ayo, baby, why can’t you just tell me what’s up? I really feel like I’m falling in love / But you say one thing and then another thing the next, you treatin’ me like I’m a Pawn and this is a game of chess / I’m out here looking for somebody that can really be my best, I wanna get a couple birds inside my nest / But it’s like you only want me when you’re takin’ off my dress, why can’t you be like Usher and just confess?". After her smoke, Nicki sang along to the bridge with Demi on the backtrack, then doing some twinkle movements with her hands as Demi belted out "Yoououurrsss" and then danced by herself on stage to a bit of the bridge. Right after the "Two could play" part, the track merged into Hurt You, blending together as both are over trap beats. Nicki went straight into her verse. "Talking to all these girls but me and calling me the one / It’s n**s like you that make me lose my faith in finding love / Cuz you only claim me when you put too much in your cup / Playing hockey with my feelings, never passing me the puck". Nicki then swayed a bit to the chorus, feeling all swoon as she heard her man sing to her through the backtrack. Nicki then looked out to the crowd as they all sang the chorus to her.

"Make some noise for The Weeknd tonight, everybody. He's out there in Europe making his money. Make some noise for my girl Demi Lovato too. Those were two #1 hits, y'all really seemed to like 'em. Now, I got two more #1s for y'all".

The beginning chords for Adore played and the crowd went wild. Nicki rapped her verse alone on the stage. "I wanna spend all day in your Benz / I wanna show you off to all my friends / So I can show them how lucky I am / To be able to call you my man". Nicki looked out to the crowd as Ariana's chorus came and they all sang along to "YOU GOT ME SCREAMING MYY MY MYYYYYY MY MY MY MY". Her female dancers then slowly made their way onto the stage and did the regular choreography for the song as the beat dropped, including the whip, nae nae and everything that seemed new and fresh when the song came out. The song then transitioned to Sensless after the first chorus and Nicki was sensually rapping along to the lyrics. "Once upon a time, there was a little bad bitch / She was getting paper, she had ambition / Once upon a time, there was a boy in her village / He had a really nice face and a really big dick". Nicki and her dancers then got into the choreography as the rock-style chorus came and everyone in the crowd were banging their heads like this was a metal show. Nicki and her dancers then got into some really ratchet choreography for the bridge as Nicki was screaming "Shake your fat ass girls, shake your fat ass girls / Shake your fat dick boys, shake your fat dick boys". She screamed "ONE MORE TIME, LET'S GOOOOOOO" as the chorus came back and the lights went out right as the show ended.

The lights were off for approximately fourty seconds to give Nicki and her dancers time tog et off the stage and keep the audience waiting in participation for Nicki to come back.

After those fourty seconds, a video interlude was playing and showing footage of Nicki posing in high fashion. Nicki could be heard through the speakers, explaining what a Queen is..

A Queen is ... an individual. She follows her own rules and follows her own path. She never has to conform to what society wants her to be.

A Queen is ... resilient. When you become royalty, everybody wants to take you down. A true Queen gets up every time and gets to watch her naysayers eat their words

A Queen is ... showstopping. She turns heads whenever she walks in a room. Not because she's covered in make up, not because she's wearing the craziest of fashion, but because you can feel her aura.

A Queen is ... fierce. She'll never give up to get what she wants and never settles for less. She takes everything she earns and will not allow herself to leave empty-handed.

A Queen is ... powerful. She's worked her whole life to get to this position and you can't tell her nothing.

I am a Queen

You are a Queen

We are all .. Queens

The lights went back out again as Majesty started playing. Nicki made her way to the centre of the stage, although most people in the venue could not see her. As Labrinth's vocals came in, Nicki's four male dancers started making their way onto the stage and stepping to the beat of the song. They're dressed as her servants and can only be seen because four solo spotlights are following them. As the piano starts slowing down, the servants all make a pose on each hit of the piano, thrusting their hips as Labrinth sings "Hey, hey, hey, hey". The spotlights then go off, making the venue dark, and the servants all stand around Nicki. The lights go on right as the beat drops and shows Nicki being protected by her servants. She's wearing the dress from the picture above and is now wearing a Britney Spears microphone, hooked up to her ear. She's rapping the lyrics and looking fierce as she does so. As Labrinth's chorus comes back, Nicki walks out in front of her servants and they then circle their bodies from side to side to the beat of the song, looking more thug than ever as Nicki yelled out the lyrics. After Nicki said "His misses like Sippi now", she walked to the front of the stage and her servants left the stage. She made a pose on the four hits of the piano in the chorus, shaking her hips for the "Hey, hey, hey, hey" and then doing a sensual move for "Boom shanga lang a lang". A big boom came through the speakers as the song ended.

The backtrack then immediately went into Barbie Dreams. "Make some noise if you love yourself some Biggie. This one's for him. Let's go". Nicki then rapped the song by herself on stage, interacting with the crowd. Right as she mentioned Weezy, an image of him showed up on the screen, followed by images of Dave East as Rae Sremmurd as they were mentioned in the next few lines. Nicki continued to rap her lines as all the men she mentioned were showcased on the screen behind her. She also switched it up by adding a gif of a cartoon Drake crying as Nicki said "But I don't know if the puss* wet or if he cryin' and sh*t". She also showed a video of Meek looking infatuated by her as she screamed "FACE ASSS". An image of Young Thug in a dress was shown as she mentioned him. Nicki was whining her hips and doing some freestyle choreography to the chorus, while snippets of a bunch of hip hop music videos from the last twenty years, mostly showing the male rappers in the videos being shirtless as a way of objectifying him. Going into the second verse, she moaned and made a movement with her hands as if she was shoving a dild* up her puss* after saying "Young M.A. and Lady Luck, get the strap in this puss*". A shirtless photo fo a fat DJ Khaled was also shown as she said "Ain't no fat ***** tellin' me what he ain't eatin'". The performance then looked as if it ended after the next chorus but Nicki stood still in the centre of the stage, preparing for the beat drop. She then rapped along to the breakdown as the beat came in. To match the beat, some lights were implemented on the sides of the stage to flash on and off to the beat of the song. Nicki got incredibly louder and more animated as her parts got faster and faster and faster. A big bomb sound went off after she screamed "BRING THE LUBE IN" and she made a crazy Roman face and pose, making the audience scream.

Nicki then calmed down a bit and said "Okay, you guys, we're gonna slow it down a little bit. This next song is off the ONIKA album and it's one of my favourite music videos I've ever done. This song means a lot to me because I've always felt like I was an underdog. People told me female rap would never come back and I'd never be able to make it ... but look where I am. A #1 album and multiple #1 singles nine years into being signed and my Barbz are still as strong as they were back in 2009. In fact, they're even stronger. This one's called Wrong"

Footage of Nicki performing on The Come Up DVDs in 2006 and 2007 were shown on the screen to show how far she's come as she rapped out the lyrics. "You told me that no one would ever sign this girl from Queens / You told me nobody would pay me for my sixteens / You told me I’d never get to make my own CD / And you told me my wrist would never stay on freeze You told me nobody would would wanna hear a girl rap / You told me nobody could even put me on the map / You told me that my talent wasn’t ever gonna sell / And you told me that my music wouldn’t make it on the shelves". Nicki moved around a bit on the stage as she then sang the chorus. "That you were wrong / You were so wrong, nothing you said was right / All you said to me was wrong / You were f*cking wrong and, baby, now I own the throne / But thank you for telling me / I wasn’t good enough / Cuz I wouldn’t have made it this far / If you were never wrong". After singing the chorus, Nicki let out an emotional speech to the people in the crowd.

"I want you guys to promise me you'll never give up on your dreams. You only get one chance to live out your dreams and live your life to the fullest and y'all are still so young, so precious and you've got so much spirit. You've got your whole life ahead of you and it's never too late to accomplish your dreams. If you're in school, I want you to stay in school and get your education. I wanna see y'all walking out with your graduation caps on. No matter what anybody is telling you, know that I believe in you and you are so worth it. Make some noise for yourselves this evening".

Nicki then sang the chorus once again, while the crowd was waving their hands from side to side.

As the song ended, Nicki was close to tears but she pulled it together to get through the last few songs. She even asked one of her dancers to come out and take the dress off of her outfit, leaving her with only the tight sparkly leotard on. Nicki spoke to the crowd as she made her way to the back of the stage. "This next one is currently the #3 song on Billboard. If you know the words, lemme hear y'all make some noise".

Like with other performances, Nicki was standing in front of a silhouette of herself. The bass was soaring through the speakers as she sang "Gave you everything / Think I need to take it all back". Nicki got more animated as she sang the next part of the chorus and she moved her body from side to side as she sang the first verse, with the silhouette on the backdrop mimicking every move she made. "I can't hide who you are / I can't lie, it's too hard / I need more than what you got for me". Nicki then brushed up against the screen and swayed her body from side to side, with the silhouette doing the same. This was done in a sensual manner to match the sultriness of the chorus and Nicki's vocals. She then went back to the animated Nicki Minaj for the rest of the chorus. The backdrop then faded into blackness and Nicki no longer had her silhouette behind her as she walked to the front of the stage to rap her verse. "Give up on 'em / I don't even wanna get up on 'em / And I ain't trynna work it out / But I'm at the gym on a mat, doing sit ups on 'em". It started off pretty calmly, before strobe lights were implemented on either side of the stage as the beat got more bassy and loud. Nicki was also rapping a lout louder and with more angst and anger, while also moving around the stage and doing her regular hand gestures and facial expressions that match her iconic persona. She got progressively more angry, up until the song ended.

"Okay, we're gonna pick up the pace a bit" said Nicki as Thought I Knew You started playing. Once again, Nicki was on stage by herself and she played around as she sang the chorus. There was playback for practically all of her parts but it was put down to a low volume so that you could actually hear Nicki's voice. Out of nowhere, Shawn Mendes ran onto the stage and started singing The Weeknd's bits. He and Nicki were singing to each other on the stage and interacting. The four female dancers had already come out at this point and were doing some choreography behind them. Nicki was scowling at Shawn and acting like he was the bad boyfriend she's singing about. Nicki then switched up a bit to hype Shawn up as he sang the second verse. He played around with the notes and added some harmonies throughout the verses as some of Abel's parts were too high for him. When we got to Nicki's verse, Shawn stepped to the side and the male dancers were all bringing chairs out to the stage. One of the male dancers grabbed Shawn and told him to sit on the chair that they put behind Nicki. Nicki was still rapping the verse, out to the crowd and the girls were doing some ratchet moves when they got their chairs. As Nicki's rap verse ended, her and the dancers were doing some synchronised choreography, ending with them walking towards their chair with the sound effect of a tape going backwards playing as they walked. Nicki got next to Shawn on the chair and her and her dancers were doing some sensual dance moves next to the chair. It became clear at this point that Shawn was about to get a surprise lap dance. The "I just want some dead presidents" refrain was playing in the background throughout all of this. To kick it up a notch, Nicki stood in front of Shawn, facing him and slowly made her way closer and closer to him before placing her ass onto his thighs and shaking it, while having her hands going up and down his chest. She then did a Chun-Li kick, having her feet fly past his head so that she could turn around and then bend over, with her ass poking out towards Shawn's face. As we got to the "De-de-de-de-de-de" breakdown (which was cut from the album version of the song), Nicki started shaking one ass cheek at a time to the beat of the song, then thrusted her body up and down Shawn's body, ending with her clapping both of her ass cheeks right where Shawn's dick is, ending with her doing another kick over his head so that she can get back up, sit on his lap and give him a kiss on the cheek to end the performance. Shawn was extremely sweaty and was freaking out, trying to process exactly what just happened. Nicki screamed "GIVE IT UP FOR SHAWN MENDES, EVERYBODYYYY!!!". Cameron Dallas then ran on stage, pretending to be mad and snatching Shawn away from the chair, although Nicki had asked both Cameron and Abel for permission to do this with Shawn during the show.

"Are y'all having fun? .. Cuz we're about to get even sexier with this next song. If you got a big fat ass, lemme hear y'all one more tiiimmmmee".

The chairs were still on stage as the next song was Anaconda and they'd be used for this song as well. The dancers got closer to Nicki so that they could do some simple choreography as Nicki rapped the first verse. The girls then all walked to their chairs during the pre-chorus and did some sensual moves on the right side of the chair before sitting on it and doing the leg choreography to the chorus, starting off by kicking one leg in the air then spreading both of their legs open before getting down to crawl around their chairs. One of Nicki's male dancers then came out to dance with her as she rapped the second verse. He was practically naked, wearing just a pair of short shorts. All of the female dancers took their chairs off the stage, with one of the male dancers coming out to take Nicki's chair. Nicki and her dancer were practically grinding on each other throughout the whole verse, doing the same choreography as back in 2014. The guy got off the stage for the pre-chorus as the girls came back and did some separate choreography for the next chorus. Nicki then turned around and twerked throughout the breakdown as all the guys and girls were dancing on the stage. Nicki then did turned around and did the choreography where she throws her arm out to the side on each "Don't" and then shakes her hips to the rest of the bridge. She then screamed "EVERYBODY IN THE BUILDING, MAKE SOME MOTHERf*ckING NOOOIIISSSSSEEEEE" as the next chorus came. The song ended with two of the male dancers picking Nicki up and holding her in the air.

The male dancers then walked off as Nicki said "Okay, you guys, I got one more song for you tonight. It's one that I'm sure all of you know so there's no excuses. I wanna hear every one of y'all singing along. Let's go.

The iconic riff of Super Bass then came in and Nicki rapped the first verse on stage, with the female dancers behind her doing some corny choreography to match the state of pop music in 2011. "He ill, he real, he might gotta deal / He pop bottles and he got the right kinda build / He cold, he dope, he might sell co*ke / He always in the air but he never fly coach". Nicki and the dancers then got into the fist choreography for the chorus, as Nicki belted out "BOOM BA DOOM BOOM BOOM BA DOOM BOOM BASS", finishing with some more moves to the rest of the chorus, with just the playback so Nicki can focus on the moves. Nicki then rapped the second verse once again, being super animated and moving around, changing her tone and delivery every now and then. The next chorus then came back and all of the girls stood still for the bridge. Nicki screamed "I WANNA HEAR Y'ALL SING" and the instrumental played for a bit as Nicki got the crowd to sing the bridge. Once she could hear them all, she sang along. "HEY, BABBYYY / BOY, YOU GOT MY HEARTBEAT RUNNING AWAAYY / DON'T YOU HEAR THAT HEARTBEAT COMING YOUR WAY?? / OH, IT BE LIKE BOOM BA DOOM BOOM BOOM BA DOOM BOOM BASS", then screaming "CAN Y'ALL HEAR THAT???". Confetti then fell out of the ceiling and onto the crowd as the chorus came back. Nicki then threw her arm in the air to end the performance. Her and her dancers were posing for a bit as the crowd cheered for them.

The instrumental for Super Bass then came back and Nicki called everyone to come out, including the male dancers, Shawn, Cameron, his band and everyone involved at the show. They all joined hands, then bowed for the crowd and were dancing a bit to Super Bass, while talking to each other and congratulating everyone on the show. Most of the people on stage slowly made their way off, with just Nicki and Shawn being left. They realised everyone else had left and blew a kiss out to the audience, before leaving to either side of the stage to end the show.

SPOILER: Click to show

{spoiler}

SPOILER: Click to show

{spoiler}

Loose Lips
Chicken Nugget
Look Who's Flopping
Milk
Im Sorry
Dont Touch My Hairs
Shook
Ridin Daddy
Haters Back Off Blues
Miranda Shake
Sausages
Jesus Loves You
Pregnant Virgin
RIP
Spooky SZN
Cranberry Sauce
Gratitude

SPOILER: Click to show

{spoiler}

There was a ginormous pair of lips on stage. Red and pink lights started flashing and fans started going ballistic. Thousands of fans dressed as Miranda Sings were in attendance and it looked like some sort of Miranda cult ritual! As the lights flashed, these Mirfandas started to scream their heads off! Then the giant pair of lips began to open up (as if a mouth was opening) and out rolled a giant pink tongue slide!!!

The fans went even crazier. The instrumental to Loose Lips began, and right as the first verse came...out came Miranda Sings!!!! She was inside the big lips wearing sparkly bedazzled red paints and a matching shirt. She began to rap on cue and slid down the tongue slide to make her grand appearance! This performance was probably the most extra and crazy opening for a concert!! There were animated lips playing on the big screens, there were dancers with giant lip masks that wore blue button up shirts and red sweatpants, there were giant lipstick props on stage, and there were lip balloons falling from the sky!

Miranda wanted to make sure everyone knew this was the Loose Lips tour so she started off with a lip themed bang!!! Dancers had bags of lipstick from Miranda's Loose Lips Covergirl Collection, and as she performed they would walk around the stage and toss them to lucky fans in the crowd! This was a very fun and energetic performance and was a perfect introduction to the Loose Lips Tour!

Next, dancers dressed in big Chicken nugget costumes came out of the giant mouth on stage and the music to Chicken Nugget played! These chicken nuggets were decked out in bling and gold chains. Miranda started rapping her #1 single and got the crowd hyped. Video clips of Trisha Paytas played with red "x"s edited over them. Also, there were lots of images of chicken nuggets playing on the screen. This was once again another kooky performance wtih lots of energy! Everyone was dancing and singing along as Miranda rapped and swung around inflatable chicken legs.

Next, a big bowl was rolled out on stage. It was a giant cereal bowl filled with cereal and Miranda was inside. The music to Milk began and Miranda started rapping while sitting in the cereal. Miranda would twirl around, kick cereal out of the bowl, an even grab handfuls and throw it. There were dancing milk cartons and dancing cookies that joined her on the stage. But the big finale happened when a giant cow came onto the stage! It was like on stage! (it is like those chinese dragon costume things at parades that are operated by people). The giant cow would move about the stage as Miranda and her milk and cookies would perform the choreography! This was a very visually heavy performance with so many fun things going on!

After all these diss tracks, things took a serious turn. A red piano with Miranda's face was center stage and Miranda walked over to it. A man started to play it and Miranda sang I'm Sorry. This performance was all about Miranda's vocals. Miranda was super dramatic and over exaggerated everything as she sang. She was giving her "Adele" moment. It was just her, the piano, and her vocals. She made sure to be super expressive and added lots and lots of vibrato. Images of Miranda looking sad played across the screens as she sang this "emotional" song.

Then after that a giant bathtub was on the stage. Miranda got in the bathtub and started to sing Don't Touch My Hairs!! This was another "emotional"/dramatic performance! However, it was a lot stranger. Dancers dressed in hair came out on stage! Yes! The dancers were covered in hair from head to toe!! They did interpretive style dancing as Miranda sang in the bathtub.

After these slower/moody performances, Miranda wanted to bring the energy back up. So she performed Shook next! This performance was very flashy!! There were stars flashing on the screen and her dancers were dressed in colorful 90's style street wear. They performed a 90's style hip hop choreography as Miranda rapped her verses and chorus. It was a very colorful performance that didn't have all these crazy props or costumes. It was fresh and the colorful visuals and effects really made it pop!

Next, things took a big twist and dancers dressed like horses came galloping out on stage!! The stage was set up to look like the wild west! A dancer brought out a pink cowboy hat that said "Uncle's Girl"on it and placed it on Miranda's head. The music to Ridin' Daddy began to play and Miranda instantly started to rap! Miranda would gallop around the stage as she sang the song.

This performance was definitetly one of the highlights of the show because Miranda and her dancers went all out! The horse dancers swung around rope lassos, got down on all fours and let Miranda ride them with a daddy saddle, and hyped up the crowd with their horse dancing moves!

However the best part of this performance was when they brought out a mechanical uncle (pretty much a mechanical bull but it was designed to look like her uncle) and Miranda got on top of it and rode it as she sang the last chorus!!!!

After this crazy performance, Miranda decided to do something that wasn't as extravagant or crazy. She started to play the harmonica and the music to Haters Back Off Blues played. Miranda sat down on one of the steps and pretend to get all bluesy. She would rest her head on her fist and nod her head as she rapped this song. Images of hate comments from social media and negative news articles played on the big screens as she sang sitting on the steps. This performance was kind of comical since Miranda made light of all these haters and it was also funny to see what the haters would say to her!!

After this moment, things got intense again! All the lights started to flash like crazy, almost as if you were at an EDM rave! Then The Miranda Shake started to play!!! Miranda told everyone to get up on their feet and do the Miranda Shake!! This performance was really just one big dance break!! The light visuals were super cool and Miranda just danced around don stage doing super random dance moves!! She did every dance move possible but with a Miranda twist!! It was fun for the crowd cuz they got to copy her dances and just let loose for a moment!

Up next, Miranda decided to surprise her fans and play one of her first big hits...Sausages!!! Big hot dogs came walking out on stage!! Also, there were big inflatable floppy dancing hotdogs that would flop around due to the air being blown through them. (Look up inflatable dancing man if confused :greenface:) This performance was all about sausages!! Images of sausages played on the screen and Miranda wore sweatpants that said "I Love Sausages" on the butt!

After that sausage fest :greenface: things took a holier turn. A choir started to hum and lights flashed down looking like lights from heaven! Images of clouds began to play and smoke filled the stage!!

Miranda came out wearing a long white robe looking like Virgin Miranda! The choir started singing and the music to Jesus Loves You But He Loves Me More played! Dancers dressed like Jesus came out and did ballet like dance moves. Miranda acted like a holy Virgin as she rapped this song.

Then, after the first chorus the music switched to Pregnant Virgin! This was a very fun mashup of these two gospel-like rap songs!! A giant church choir dressed in silk white robs joined Miranda and the Jesus dancers and took everyone to church!!!

After that performance, things got spooky!! The lights flashed to pitch black and smoke filled the stage! Then lights that mimicked thunder flashed and we see glowing pumpkins on the stage! Finally dark purple lights came on and the stage was set like a graveyard!

Miranda started to rap RIP as zombie dancers rose from their graves!! This performance was like her televised ones except the staging was more elaborate and decked out!! Their were big gravestones that zombies would pop out of and the lighting was so cool! There were special hologram lights that made it look ghosts were dancing on stage!!!

After RIP the halloween theme continued, except this time it was a halloween party!! Black lights instantly came on and everything on stage started to glow in the dark!! Everything was neon and more monsters filled the stage!

We had werewolves, witches, mummies, vampires, and anything else you could think of! The music to Spooky SZN played and the party got started!! This performance was so much fun! It was like the most fun looking halloween party took place on stage. There were so many neon/glow in the dark halloween decorations and props on stage! Plus the choreo and costumes really sold this monster mash!!

After this performance the stage was cleared and a new setting was set. A big silver platter was on the center of the stage and Miranda was laying on it. She was surrounded by giant food on stage like mash potatoes, turkey, pumpkin pie, and of course cranberry sauce!! The stage was set to look like one giant table with giant life sized food!!

The dancers were also dressed as food and as silver ware! Miranda rapped to Cranberry Sauce as her and her food dancers flexed! They showed off some giant gold bling and would throw out fake money. As the song came to an end, canons shot out money confetti into the crowd!!

After that it was time for the final performance of the night. The stage was cleared and it was just Miranda! She wanted to end this tour on a serious note. The music to Gratitude then played. This performance was simple but very sweet. Miranda wanted to end the tour with a song that is about thanking her fans. Miranda sang this song with so much passion and it really came from the bottom of her heart. She would walk around the stage and touch fans hands and sing lines to them.

Also, the cool thing about this performance is that the big screens would display video of fans in the audience! The camera would film different audience members singing along to the song and plaster it on the big screen! This moment was really a way for Miranda to show love to her fans and to bring them even closer!! The performance ended with sparks flying and red confetti shooting into the air!! Then, balloons with Miranda's face fell from the ceiling! The audience erupted in applause and Miranda took her bow!

SPOILER: Click to show

{spoiler}

OUTFIT

SETLIST
Hurtin’ Me
B.A.N
Bossy/Game Over
Nann
No Drama
Love Letter
Check

SET
The night starts off with the stage empty. Smoke begins to fill the stage as the dancers make their way to the stage and the “Hurtin’ Me” instrumental begins to play. The background screen showing newly shot colorful visuals of Kash Doll on a beach. Kash Doll then begins to ride a neon multicolored low rider bike onto the stage and the crowd begins to go crazy. As she gets off the bike, one of the dancers move it off the stage as she address the crowd. “You guys ready to turn the f*ck up tonight?” The crowd screams. She then says, “Let’s Go Then!” And begins to get into the song, “Heard you got a new girlfriend, and it’s hurtin me.” The performance was very colorful and dancehall filled.

Before she gets into the next song of the night she walks to the end of the stage to address the crowd. “How y’all feeling? Imma need y’all to let loose and just vibe out.. Can you do that for me?” She then walks back to center stage very sasilly switching her hips before getting into a cute little “Rock Your Hips/Swag Surf” mashup dance break. During Swag Surf she gets off the stage and goes to the barriers and begins to instruct the crowd to swag surf with her. Afterwords she runs up the stairs just in time to get into “B.A.N”. She delivers an attitude filled sexy chair routine with her two dancers on each side. "You thought you was slick, but you slippin'/ Almost had me thinkin' you was different/ Now I'm out here wildin' with my nigg*s/ Now I'm out here wildin' with my nigg*s"

As the instrumental for “Bossy” comes on some male dancers, wearing some referee inspired outfits, make their way to the stage carrying a throne. Kash Doll then starts to recite the intro, “Aye Yo…, You don't have to love me…, You don't even have to like me…, But you will respect me…” as she makes her way to sit on the throne. As soon as the begin to pick up the throne she sings, “You know why cause I'm a boss!”. The instrumental suddenly transitions into "Game Over". The female dancer then begin to do some cute basketball inspired choreography (dribbling, shooting the ball, etc) on the stage as Kash Doll gets carried through the crowd as she recites the lyrics. "I could be the only lady here and still be the realest nigg* in the room/ I break the internet, top two and I ain't number two/ My body, my ice, my cash, all real, I'm a triple threat." Often reaching her hand out to the fans. At the end of the song she makes her way back to the stage.

She then addresses the crowd. “Y’all know I couldn’t do this tour without doing the bop that started it all, right? Ayo Trina… Where you at boo?” Trina then makes her way to the stage and the crowd goes crazy. Kash Doll then asks Trina, You wanna do the honor?” As the instrumental for Nann begins to play Trina replies, “Why, of course!”. Trina then begins to start singing the hook, “You don't know nann ho uh-uh, Don' been the places I been, Who can spend the grands that I spend, f*ck bout 5 or 6 best friends”. The dancers then starts twerking up a storm as Kash Doll and Trina pace back and forth across the stage. They slay the performance and the crowd cannot contain themselves. Kash Doll thanks Trina and hugs her.

"(Insert City) How the f*ck are y'all feeling tonight? I hope y'all are having a drama free night, because we don't want No Drama chile...." The crowd instantly goes crazy. The instrumental begins to play as a visual of a black SUV going down a never ending road shows on the LED screen before switching to newly shot beauty shots of tinashe lip synching to the refrain as Kash Doll and her dancers walk in a single file. When it comes to recite the first verse the dancers move to the side and do some cute choreography as she squats down near the end of the stage and the crowd sings along. "Don’t want no drama/ So save that sh*t for your mama/ I’m Michelle but not looking for my Obama/ Too worried about myself and trying to chase these commas" Towards the end of the verse she stands up and hops backwards to meet the dancers centre stage to do the official choreography to the hook as she ad libs the last of each line. "Don't want no drama-ma-a (Drama)/ We pulled up in that ooh la la (Ooh La La) / And backed out in that oh my god (Oh My God)/ Don't want no drama-ma-a (No Drama)" She then skips to her 2nd verse and recites it while walking back and forth across the stage. "Switching my flows like I switch up my weaves/ If you ain’t feeling me you’s a f*cking dweeb/ I only f*ck with go getters, not wannabes/ I think its my time, I already gave the girls time to breathe" She then ends the song with the hook one last time, but this time she simplifies the choreography so she can sing the hook with perfect breath control.

The instrumental then flawlessly transitions into Love Letter. Newly shot visuals of Kash in a luxury mansion begin to play on the LED screen as she begins to sing. "Every time you wrote me a love letter/ Had me thinkin' that you could do better/ But I'm calling all night and you ain't pickin' up this time" You could barely hear her because the crowd was singing along so loud. As she got into her first verse she begins to start walking back and forth across the stage. "Thinkin' about all the things you've done/ See, I done went to the point of no return, son/ Cause I can't take my actions back now/ The love is so lost, what are we gonna do now" Kash begins to get emotional as she sings the chorus, "Every time you wrote me a love letter/ You had me thinkin' that you could do better/ Calling all night, but I ain't pickin' up this time" She then pulls it together and recites the second verse super animated to where you can feel every emotion, "Thought we’d be together forever babe/ But you f*cked up and now things will never be the same/ See I ain’t gone let you take all the blame/ Me being busy and neglecting you, made you feel like getting back in the game" When it came time for the final chorus Kash sang the first line and then let the crowd sing the rest as she instructed them to put their phones up and wave them side to side.

“Thank you guys and Britney so much for having me… I've had the best time ever! The last song of the night is a fan favorite...” The crowd then starts screaming! Kash doll then says, “Ayo DJ play that sh*t!” The instrumental to “Check” begins to play and Kash Doll hops off the stage to the barriers to interact with the fans as she sings who are singing along with her so loud you can barely hear her, ”Now it's the dolly, not Parton, But pardon my french…” The crowd already knew the hook as well so at the end of every line she pointed the mic out to the fans to say "Check"! “Still pretty? CHECK!, Keep hoes in, CHECK!, Run up a, CHECK!” They then strike a pose and end the night.

SPOILER: Click to show

{spoiler}

ACT ONE

ACT TWO

ACT THREE

ACT FOUR

(after the act she unzips the top part revealing what's underneath)

ACT FIVE

ACT SIX

ACT SEVEN

SPOILER: Click to show

{spoiler}

Act1.
Bare (intro)
Welcome To Me
Sugerfall
Breathe On Me

Act 2.
Strangest Love
Make Me
Perfume

Act 3.
Baby One More Time (Jazz)
Slumber Party (Jazz)
Ouch

Act 4.
911
Get Naked
Slave 4 U

Act 5.
My Prerogative
Do Somethin
Rockstar

Act 6.
Baby Boy
Everytime

Act 7.
Look Who's Talking Now
Money, Love, & Happiness
Toxic

Encore:
Gimme More

SPOILER: Click to show

{spoiler}

Before the show starts, the lights in the house go down which makes the crowd erupt in cheers as they know the start of the concert is about to begin. The crowd settles down as the large screens above the stage come to life. The first images we see are of two large wooden doors closed until a hand pushes the doors open. As the door opens the sounds fades in and we hear the first "Don't You Wanna" from "Bare". The screens are engulfed in white light as the doors are completely opened up and it takes them a second to focus on the large marble room. As the camera pans across the room we see showcases, mannequins, and other items on display as if they were a private collection. The camera, following the beat of the song, cuts to a mannequin dressed in the sexy schoolgirl uniform from "Baby One More Time", on beat again the camera cuts to the infamous pink wig - the symbol of the beginning of Britney's career and the symbol of what many believed that would be the end of her career.

As the song progresses to "Over Me" the camera cuts to the backside of a woman with flowing blonde locks run her fingers over a glass showcase containing different bits of memorabilia. The woman is wearing white lingerie and the camera catches the designer tag which reads "The Intimate Britney Spears". The woman moves to the first mannequins and the camera catches the side of Britney's face as she touches the outfit.

Following the beat, the camera has a few jump cuts from Britney undressing the mannequins to her wearing different outfits in the mirror. The first outfit she wears is the school uniform, as she looks into the mirror she smiles a bit and then the camera cuts to her putting on other outfits which included the 2001 VMAs outfit which she added a fake snake, the infamous denim dress, here she just gave a "what was I thinking" look and a few others. The final look Britney tried on was one that many thought would be the end of her career. As "Bare" went into the final verse of the song, Britney put on the pink wig accompanied by the same sweater that she wore the night of the umbrella attack with it she held the umbrella as well. Looking into the mirror Britney's expression changed and a tear rolls down her cheek. Britney tossed the umbrella aside and removed the wig. As she did this, the music lowered and Britney's voice came over saying, " "My life in the spotlight has been a roller coaster ride. I've shared my highest highs and lowest lows with the world, but I wouldn't trade it for the world because it's shaped me to be the person I am today." As the voice over played Britney is seen removing the sweater, the camera zoomed onto Britney's face, "It's also taught me that no matter good or bad as long as you stay genuine to yourself and bare it all for everyone to see and feel, love will find you. I know this because it's found me." As these words are spoken, Britney wipes away the tears from her eyes and gives a hopeful smile. With the outfits back in place, the camera cuts from behind Britney walking out of the room completely Bare. From here the video fades back to white and then black.

With the intro ended the audience cheers and on the screen, the words "BARE" are written across them.

Within a few seconds, the stage lights came up as the sexy breaths and whispers from Welcome To Me began to play which immediately made the crowd erupt in cheers once again. As the music began to play the stage began to fill with a light fog. The instrumentals and sexual breaths at the start of the song played an extended intro as the large wall in the center of the stage began to spin around revealing a raised platform with stairs descending to the main stage. As the shifting of the stage took place, Britney began singing the first words of the song as she came into full view of the audience. Britney was kneeling in a large bed that had red coverings. As Britney sang through the song she began rolling in the bed as she let her hands move around and touch her body. As the tempo picked up Britney crawled to the end of the bed as she grabbed the metal frame and whipped her hair.

As the song progressed Britney stood in front of the bed as she once again used the metal railings to increase the sensuality and sexuality of the performance and song. Spending most of the performance alone, a male dancer then joins Britney on stage as he picks her up. He dips her head back as her legs grasp onto his waist. When the last few lines of the song played, the male dancer put Britney back onto the bed as he acted as if he was sexually biting her neck which would make her moan.

As Britney sat up on the bed, the music for Sugerfall began.The lights at first only spotlighted Britney and as the song started up it spotlighted the dancer as well and then the entire stage came back to life in color.

The male dancer that was with her is now sitting on the other side of the bed as she sings the first verse of the song. Standing up she makes gestures with her body that match the lyrics, as the song played the stage screens showed images like sugar falling and when Pharrel's parts played he was shown singing to a woman and other clips of them in a club grinding to the song's beat. At the same time Britney and the male dancer she was with would continue to move closer to one another. During this time as well more dancers moved onto the stage and began dancing to the song. Britney and the dancer she was with were now face to face at the top of the stairs. As Britney sang "sugerfall" she and the dancer held each other as she wrapped her leg around him and he dipped her. At the bottom of the stage the other dancers followed suit in the choreography which was a bit less sexual as the performance before, but still matching the tone of the song. As the second verse started, the male dancer began making his way down the stairs with Britney following. Making sure to keep in time with the tempo, Britney reached the bottom of the stairs and then made her way down the middle catwalk as dancers took the other sides. As the chorus hit again they all danced in sync but Britney broke away a bit early as she pushed the dancer that was with her bit. Making her way back down the runway she followed the dancer as her movements and expressions matched what the song was saying. Britney and her dancers once again did some choreography to the chorus of the song while doing different moves and dances during the verses.

As the song ended Britney quickly got to her next position as the crowd cheered. The cheers only got louder as the music for Breathe On Me began to play. Once the song began at the end of each runway, the center floor opened and three poles rose from under the floor and locked into place. Two of Britney's dancers headed to the poles, one on either side, while Britney began to sing the first verse. As she did so she was accompanied a male dancer from behind who began rubbing his hands on her body while she moved her body sexually to the beat. Britney then turned to him and the two moved their bodies together in sync as she sang. Britney and the dancer would then move around the stage as they teased the audience with the scandalous performance. At the same time the female dancers that had gone to the poles were dancing on them and swinging around to the beat. When the chorus started, more dancers appeared and Britney joined them as they performed the choreography. As the final line of the chorus was about to be sung, one dancer got on his hands and knees while another laid Britney on his back and as she sang "Oh Baby just Breathe On Me" the dancer standing over her got on his knees and pretended to be giving Britney oral sex. This scene only lasting for a quick second ended as Britney used her foot and pushed the dancer away.

Going into the next verse Britney matched the beat of the song and began walking down the middle runway to the pole. As she kept singing Britney took hold of the pole and began to dance around it swinging her hair at points. Using the pole Britney and the other two dancers put their asses to it and then slowly slid down until their bellies were touching the floor. As the chorus came They each then flipped over and pulled themselves up and then going into a split on the stage. Getting back up Britney and the other dancers did one last spin around the pole before they headed back to the main stage. Once back the end of the song was near and Britney and her dancers ended it with their sexy choreography. Once the song ended the poles went back under the stage.

The crowd cheered as Britney broke away from the group of dancers and began talking to the crowd, "How's everyone feeling tonight?! I'm having such a blast being here with you all and I hope y'all enjoy the rest of the show! Let's go!"

As Britney turned away from the crowd and headed off stage for a bit while her dancers kept the audience entertained. Once back on stage, Britney went to the center of the stage, the stage lighting changed to a more purple and bluish color as the music for Strangest Love began. As the music began to play, the stage screens began to show images of sparkling and shimmery twinkles fell on a field of fuchsia flowers with a twilight sky behind them as they swayed in the wind . During this time as well, Britney had disappeared for a short time before reappearing in a new outfit. Britney walked to the center of the stage as she started to sing the first verse of the song.

As she sang each word Britney walked forward slowly as she became almost entranced into the song. At first it seemed as if Britney was alone on the stage until the lights on the stage brightened and from above Britney dancers came down from the ceiling as they performed tricks and acrobatic moves on the ribbons. Locking eyes with one of the dancers, he lowered himself till he was on the stage just as she started singing the words, "thought I would die, till you looked in my eyes." Britney turns away as the dancer grabs her arm turning her back to him. As she goes into the second verse Britney walks away again as the other dancers continued flying above her and moving to the beat.

As the second chorus started to build up Britney turned back to the dancer. As the chorus started the dancer grabbed onto Britney and two were pulled back into the air. Now in the air the two spun around quickly and then slowly. At the same time on the first beat of the chorus from behind Britney, the middle part of the stage had turned around without anyone noticing. As Britney sang the first line of the chorus, the lights behind her lit up as a choir sang the backing vocals adding another dimension to the song.

For the third verse Britney stayed suspended in the air as she was face to face with the dancer. The two stood on the ribbon which had formed a U shape and the two floated above the stage. The choir continued to sing in the background but lower than before until the final chorus played. As it hit Britney sang out the notes holding them out as the choir sang with passion and soul. Britney and the dancer began to descend back to the stage along with the rest of the dancers.

As Britney and the dancers reached the stage, the choir’s sound began to fade as the lights followed suit until the back of the stage was black. Without missing a beat the instrumental for Make Me began to play as Britney moved forward along with her dancers. Behind them in the darkness, the moving platform turned again hiding the choir to the backstage.

As the music continued, Britney began to sing while the lights of the stage followed the beat of the music. On each slow snare drum hit the lights across the stage would brighten then dim as if following a dance. At the same time, Britney and her dancers performed choreography that matched as well as the song progressed. This included Britney doing a spin into the arms of one of her dancers by her side and them dipping her before spinning her back to her spot she was before.

Moving her body with the beat Britney set herself up for the chorus which as it played had the stage come alive. As the tempo quickened a little and the beats became heavier the lights on the stage flashed with different colors to it first at the left, the middle, and then the right which during this time wherever the lights flashed the dancers on stage in that spot would hit a move in time with the beat each time as Britney did her own moves to each beat at the center of the stage. Once the build up moved on to “make me ooh” part the dancers across the stage moved their bodies to the beat as Britney held her arms out she rolled her body while backing up until she touched her dancers which made them follow her moves as well.

Going into the second verse Britney tapped the dancers on the side of her one at at time which made them move into position and lift her up as she held out her arms and then walk forward a bit until setting her down. Here Britney rubbed down the two men as she squatted lower and then did a hair flip. Britney then came back up and rubber her body on the dancers a bit as the dancers in the background did their light choreography. As the chorus of the song began to play again, Britney moved forward in front of the dancers and led them all into a small dance number that matched the song’s tempo as she sang.

As the song ended after the second chorus and as Britney stood in the center of the stage the lights dimmed except for a spotlight that shone on her a hand mic was given to her . She smiled to the crowd before taking a breath to speak, “This next song is something I feel we all at one point go through. We’ve all felt jealous, anxious about someone, and just in our own heads about a situation where we over thought it. Well this next song I feel really speaks to that feeling. I hope y’all like it.”

At this point he background dancers had left the stage and after she finishes speaking the music for Perfume started and Britney began to sing out the song with her live vocals. As she sings, the lights of the stage change slowly to different colors of blues and purples and the stage floor begins to fill with smoke covering it giving the performances an even more mystical feel. Britney stood in her place as she sang as she held the mic letting her vocals and facial expressions help tell the story of the song as it progressed. As the song continued the screen had shimmery lights sparkle across it light stars in the night sky and the screen then turning into a night sky. As Britney continued singing, she moved towards the audience where she reached down touching some of the fans’ hands and smiling at them. She continued to move around and interact with the crowd in small ways keeping them in it. Singing out the last few notes Britney smiled to the crowd as they applauded and the lights dimmed making the stage black.

As the dancers finished making their ways out, the red lighting kept the stage alive until the large middle platform turned around slowly revealing a jazz club like the one from Britney’s Ouch music video. Britney’s sensual voice rang out into the venue saying “Oh Baby Baby” which hyped up the crowd without her being on stage. Waiting a few seconds after singing, the door at the middle of the ‘club’ opened and Britney walked into it continuing the song Baby One More Time but in the jazz version of the song. Britney moved through the bar as some of her backup dancers stayed behind keeping up the act of the bar. As she sang, vocals of backup singers followed her voice on certain words of the song adding to the jazzy vibe of the sound and scene. Putting on a show for the people, Britney sensually moved across the stage allowing her presence and song arrangement entertain the audience as at one point of the song she hit a high note. This kept up through the song as Britney would move around the stage hitting a move or two on the beat of the song.

As it ended Britney kept the act up as she spoke, “Fellas let’s get this joint pumpin a bit shall we?” The dancers behind her nodded their heads in agreement and from the cases by their sides pulled out some trumpets and began playing a tune. Once one started, another joined and then another and then another. Once all four were prepared they counted 1,2,3,4. Blowing a few notes together they then started playing a jazzy uptempo version of Slumber Party to which Britney and her other dancers moved their bodies too. Sitting on of the prop tables set on the stage, Britney began singing the first verse of the song. Moving off the table Britney met up with a few of her dancers as they made their way down the center catwalk in the beat of the music. As they reached the end, the chorus of the song was about to start when before “like a slumber party” was song one of the horns rang out which made Britney turn to them and the other trumpets stop for a second and then going again and Britney then sang the song. As the chorus played, Britney and her dancers did the choreography of the song as they rolled on the ground, moved their bodies to the music and so on until the second verse began.

As Britney began to sing this part of the song she and the dancers made their way back to the main stage. Here Britney flirted with a dancer a bit with her moves and body before moving onto the next. She did this until the chorus started again and then she and her dancers hit the choreography again this time with more stunts and sexual moves on the floor. As Britney sang the last parts of the song she and her dancers moved back towards the middle platform where the jazz club stage setup was and continued their dancing as they did so. As the song came to an end, Britney ended up at the center of the jazz stage and her dancers in chairs looking at her.

Standing in her spot alone, the lights of the stage changed color giving the effect of a black and white movie shot as the music for Ouch started to play. Moving her hips to the music, Britney began to sing the first verse of the song as she exaggerated her movements as she moved her hand up and down the microphone stand and her body. Until the second verse of the song came up where during this time she slowly and sensually walked down the jazz stairs and pasted the men sitting in the chairs. Behind her one of the men followed her to the front center of the stage where he rubbed his hands on her body before she pushed him away. Using an extended version of the song, the chorus played female dancers joined her from the wings of the stage and they began doing some sexy dance moves in sync with one another as the male dancer who was pushed away watched. As the song came to its end, Britney and the female dancers turned away walking back to the jazz stage door exiting leaving the man alone and confused before the lights on the stage went dark.

As the interlude finished, the sound of police sirens rang out into the venue as flashing blue lights light up the stage and on the large screens a white mercedes raced in front of the camera followed by 15 police cars. Suddenly the screen changes to a phone and we see fingers press the keys 911. As the buttons are pressed the sound rings out with the sirens. The music for 911 begins to play as the moving wall turns and it shows several female dancers who are leaning on the bars, some with their hands hanging between the bars and others just leaned against them while male dancers stand guard. The cell doors open and from the center cell Britney begins to walk out along with the other inmates. As Britney begins to sing the female dancers behind her move across the stage into their formation as some of the male dancers follow. Once everyone is in their places, Britney moves towards the center of the stage in beat with the song. As the song progresses, she and the dancers are in sync as they bend down letting their hands rub their thighs as the male dancers watch and then spinning their heads as Britney sings “every little touch you take me deeper in my mind”.

As the song progresses Britney and her dancers keep moving to the beat of the song with the dark sexual energy. Britney moves around the stage as the chorus plays and then walks down the middle catwalk as she sings the second verse of the song. She is followed by a few female dancers as they dance with Britney. Dancing to the chorus Britney and the female dancers with her sexually dance on one another one rubbing down Britney’s back and down her legs. Cutting this short, Britney heads back to the main stage where she hits the center of the stage as her dancers male and female get into their formation behind her. Here Britney begins to speak sing the third verse of the song as she and her dancers began doing an intense dance break as Britney led them through it. Hitting each move in sync the crowd began to cheer louder. Part of the routine included Britney doing a quick split and then standing back up without missing a beat. As the verse ended, Britney and her dancers kept up the high energy moves until the sound of a phone line going dead was heard which ended the dance on beat.

The next song started as Danja’s voice blew through the speakers. The dancers on the stage all moved to the beat of the Get Naked as they each did their own thing at first but then dropped to their knees giving a hair flip and then slid their bodies from their chest to the pelvises to the floor before turning onto their sides and rolling their bodies from top to bottom before getting back up.

During this time Britney stood in the middle of them looking to the left and right. As she began to sing, she began to join the dancers as they moved towards the front of the stage, their steps in beat with the song. Once at a certain point two female dancers moved away from the crowd and each went on the catwalks on either side of the stage and two poles rose from the trap doors. There they began to do expert tricks on the pole such as swing around with their legs as their bodies hung off and much more. Meanwhile the other dancers began to move their bodies to the beat of the song as they twisted their torsos, rolled their bodies and more. At the same time Britney had two male dancers by her sides that danced with her. They had a back and forth where Britney pushed one back as she walked forward and the other followed. Britney pushed both men aside and moved back towards the center of the stage flipping her hair at points and doing a spin as well.

Once the first “Get Naked” began Britney pulled her hair from the ponytail and in sync with the song, she began taking off parts of her costume just as the song said to. Once she finished, Britney turned back to the audience and the dancers behind her had gotten up and Britney led them into another high energy dance number. Going on for a bit, the dancers and Britney matched the music as it suddenly slowed and they did a forward dip in slow motion with the song. The slowed music played as smoke filled the stage and Britney’s dancers moved into different spots of the stage following the beat of the music. In the music playing we hear the words from the start of Slave 4 U playing and then Britney begins singing a slowed version of the song as she makes her way down the center catwalk to the pole. Here Britney circles around it at first with one hand holding on to it. As she continues to sing, Britney does a few different moves on the pole like wrapping her leg around it and using it as she moves down and other moves like hair flips. After she danced on it a bit, Britney moves away from it and back to the main part of the stage. The music stops once she reaches it as a loud bang is heard which is the pyrotechnics going off. The music starts up again wasting little time this time the song is at it’s normal tempo and it starts back up at Britney saying “Now Watch Me”. Britney and her dancers begin doing the iconic dance routine from the music video which makes the crowd cheer and the song ends after with Britney saying “Like That”.

Britney continues to wave and smile at the audience as she moves closer to the front of the stage, “Everyone having a good time?” She asks as the audience cheers in response, “Good! I wanna keep this party going, but first I wanna know which side is having the most fun. When I point to your side of the room I wanna hear you scream! Ready?” Britney then moved to the right side of the stage first and pointed as they cheered and she then moved to the left and pointed and they cheered, “Oh Wow...that was a too hard to tell, let’s try it again okay?!” Britney repeated her actions and consulted with her dancers for a quick second, “It sounds like the right side won this time, but barely! Alright guys let's keep this show going!” She said moving back towards the center of the stage.

As Britney took her spot, the lights on stage dimmed a bit and her voice echoed through the venue, “People can take everything away from you, but they can never take away your truth. But the question is can you handle mine?” Britney sang the first line of the song acapella and when she finished it the beat hit and the lights flashed in time with it and then dimmed back just as the music stopped. Singing the second line of the song again acapella the same thing happened again which caused the crowd to cheer loudly both times. Before moving onto the next line the beat hit and stopped as Britney hit a pose for the three times it did this and then proceeded to sing the next line as the music played My Prerogative.

Britney stayed in her spot as she sang “they say I’m nasty” then hit another pose as the beat stopped once again and then continued on singing the song. Britney’s dancers joined in with her as she continued through the song. Britney moved from her spot on the stage as her dancers performed their routine. She did a bit of dancing herself as the screens behind her plastered different headlines about her one after the other until they began filling up the screen. As the chorus started Britney’s movements embodied the song as they expressed sass, anger, and passion while she moved across the stage. As the chorus ended Britney moved her body like a cobra being charmed by the instrumental playing and as the second verse started she made her way back to the front center of the stage and as she sang “spreading myself around” did a body roll that ended with her doing a hip trust. Going into the second chorus Britney danced with the dancers before going back into snake charmer dance until the song’s breakdown started. With each beat hit, and her dancers each hit a synchronized move as the pyrotechnics also went off at the same time. As Britney started to sing again her dancers formed around her comforting her until the chorus came up again and she blew them away like a bomb. Britney danced with the dancers and ended the song with a hair flip and a pose.

Within a few seconds, the music for Do Somethin’ began to play and following the music, the lights on the stage came alive as colorful lasers danced across the stage and then the screens showing a shattering effect as glass rained down from them. At the same time one of Britney’s dancers quickly helped her put on some a pink fur jacket and a pair of sunglasses as she and two other dancers got together as if a cliche in a club. As Britney began to sing she and the two other dancers began to do exaggerated steps as they placed one foot in front of the other matching the beat only stopping to do chest pumps when she stopped singing and with the beat. Britney and her dancers did this for a small time until the chorus came and then they began to dance to the music until another dancer came along pushing a rolling prop in which Britney climbed onto and the dancers began pushing her around the stage while others danced to the song. On the moving prop, Britney danced on the bars as she moved her body and added a few hair flips. Getting off she and the dancers reunited as the “na na na na”s played. They once again did the little walk and stopped as she sang “can’t you tell I’m having fun” to which they each shimmed in different directions and then proceeded to do a few dance moves. As Britney started singing again she moved her body around with the beat of the song flipping her hair and letting loose until the end breakdown came in where she spun in slow circles as she twirled her hair around ending the song with her throwing the glasses off.

As the crowd cheered Britney smiled and waited a second for the cheers to die down a bit before speaking, “So since we are having such a fun time, I’ve thought it would be really cool to do something different and so hopefully you guys like it!” Once Britney finished talking, the large revolving set piece turned once again and this time the set was changed to accommodate a live band. It was stripped down with one raised platform for the drummer and in front stood a guitar and bass player who stepped forward onto the main stage giving themselves room, “Let’s go boys.” Britney said as she walked back towards them. The band began to play the music to Rockstar. Britney began moving to the beat of the music before moving her headpiece mic up and taking hold of a regular microphone. Letting out a few adlibs Britney prepared herself for the first line of the song as she walked around the stage. Just like the song, Britney started the song by talk-singing the verse while she moved around the stage in the beat while doing some slight dancing. Keeping this up, Britney picked up her dancing when the chorus of the song started she began rocking her body to the rhythm getting into and letting the attitude to flow from her voice and body into. Moving through the song Britney made her way down the catwalk touching the hands of a few fans. Britney kept moving across the stage as she sang through the verses she began making her way back to the center of the stage meeting with the band players. She circled around them touching them as she did so smiling with them. As the final chorus came, Britney sang the verse and then instead of bleeping it out said “shut the f*ck up” which the crowd seemed to love. Britney stood by the guitar player as he did the guitar riff and she mimicked him for a second before dancing with him as she sang the final chorus of the song. Once the song ended the crowd cheered and the Britney and the band moved back onto the moving platform and disappeared from the view of the audience.

The lights come up on the stage and smoke covers the floor of it as it rolls off the edge but the lights only stay up for a few seconds before they switch off and only a spotlight shines onto a large music box prop at the center. The top of the music box opens as the music begins to play and in the box is Britney. At first she stands up like a ballerina and the bottom of the box spins her a bit and then stops as she begins to sing the first verse of Baby Boy. Stepping out the box, Britney moves out of the box and onto the stage as the spotlight follows. As she walks slowly the fog around her feet swirls a bit and floats up causing a smokey and more dark ominous scene fitting to the song. As Britney sings the light hits her face and on her cheeks are diamond drops which shimmer and look like tear drops falling from her face. During this time, the screen behind Britney shows a partially broken ballerina in a music box twirling around in black and white. As Britney continues the song, her voice cracks a bit as she conveys the emotion and pain behind it making it that much sadder. As she sings the final verse, the box closes and sinks beneath the smoke thanks to a trap door and then the recorded conversation plays and Britney puts her head down just as the song ends.

Lifting her head back up Britney looks out into the crowd and gives a faint smile, “The next song, like that one, is deeply personal and I wrote it sometime ago. It was a way of expressing the emotions I had deep inside that were eating away at me and building up to the point where I wanted to burst. I was lucky enough to find an outlet in writing music, and I want you all to really understand that. If you have strong emotions that are bottling up inside you, you need to find an outlet. Allow those emotions to be felt and to be freed from you because nothing ever good comes from holding them in too long. Write, sing, dance, anything...just let them be felt.”

The crowd cheered as Britney finished speaking and the lights on the stage came up but washed the stage in blue light while also revealing a piano sitting at the edge of the stage. Britney moved to the piano and placed the microphone in it’s holder before sitting down and taking a breath. Laying her hands on the keys, Britney began to play the music for Everytime which the audience recognized immediately. Britney started to sing the song and any sound that was being made was silent now as the audience listened to each note that came from her mouth. As Britney moved past the first verse of the song, the audience began to sing the chorus with her as she continued to play the piano. As Britney continued through the song, she looked to the audience and smiled shyly before giving them a little wink. As she continued to sing, Britney’s voice purposely cracked in certain spots to once again make the emotions of the song hit harder. As she finished the song Britney looked up from the piano and smiled at the audience as they cheered.

After the interlude, the stage stayed dark for a moment until the instrumentals of Look Who’s Talking started to play and then syncing with the beat colorful laser lights danced across the stage and then stopped just as the music did. The music started again so did the light show across the stage and as the music progressed, the lights followed suit as the drums hit which caused the stage to light up and then fade again. Coming from seemingly nowhere Britney began singing the first verse of the song just as the lights illuminated the stage. She stood on an atop a 3 tiered elevated platform that sat in the direct center of the stage. The elevated platforms were circular and the bottom lowest one stretched to about 1/3rd of the way to the end of the stage and the others layered atop it left enough room between each stop that a dancer could dance comfortably on.

As Britney continued to sing her dancers that were standing at different levels did some light choreography at first as Britney played in the spotlight for the first verse. As the song started to progress into the chorus, Britney was helped down onto the main stage floor by her dancers. As she sang the chorus, the stage was lit up with fire from the back of the stage, above the stage, and on the sides. Only one went off at a time as it followed the beat of the “heys”. During this time, Britney and her dancers did a bit of choreography giving the audience a little taste of what was to come. Going into the second verse, a male dancer bent down on his hands and knees and Britney sat on his back sideways and pretended to drive a car as she made a laughing face as if she and her dancers were just being a bit silly. Britney quickly got up as she made her way down the center catwalk making sure her strut was in beat with the song. As she did this she began to going into the chorus once again, now at the end of the runway Britney threw her hands into the air in time with the “heys” and this time the pyrotechnics started at the front of the catwalk and with each hey traveled down it until they met at the end and hit which made a beautiful affect around Britney as the sparks rained down onto the floor but not on the stage.

Britney danced a bit more and then as the third verse played Britney did a solo dance as she moved her body in sexual ways and touch her body only to end it with and innocent look and a wink. As the final chorus played Britney made her way back to the mainstage where she ended the song with a kneeslide and then her bending backwards laying flat.

As the song ended, Britney stood back up and just as she did so the next one began to play. Moving back towards the platforms Britney stopped and then turned back around to face the audience as she began singing Money, Love, and Happiness. Britney’s dancers raced up to her like fans trying to get close to her as she slowly walked in between the human barricades as she made her way to the front of the stage where she began singing the the pre-chorus. Behind her the dancers moved into position for the chorus as Britney acted out a version of a big egoed celebrity as she sang. As the chorus played, Britney and her dancers danced to the beat of the song. As she started the second chorus, Britney walked away from the dancers throwing a ring and rolling her eyes as she sang the “like a band of wedding rings”. Britney did a little dance before turning back around as her dancers moved from their place and met her in the center of the stage as the chorus played. They danced a bit more and as Britney begant the third verse of the song she moved herself into position and when she sang “Ow” the music changed and as did the lighting. As the music’s tempo increased the lighting of the stage darkened at the top, but at the front of the stage lights turned on giving a different effect on the people on stage. Britney and her dancers into a high energy dance break. As they danced, the dancers did different acrobatic tricks on the stage like flips and cartwheels while the others stayed in sync with each other. Nearing the end of the dance break, Britney positioned herself and did a back handspring which made the crowd erupt into cheers. Finishing the dance break with the dancers Britney hit a final pose and the crowd cheered even more.

Taking just a second to catch her breath, Britney prepared herself as suddenly the crowd’s volume shot back up as they heard the iconic intro music to one of Britney’s most well known songs, Toxic. Britney, who had made her way back up the platform and had her back towards the audience, quickly turned around in beat with the song and then with a quick pace to match the tempo, walked down the platform and towards the front of the stage but before she reached her spot did a little spin. Britney began to sing the song as she danced to the music. Behind her her dancers matched the energy and followed the choreography. As the song continued Britney and her dancers kept the high energy as they hit every move perfectly. As this all happened the stage lights above them changed with each hit of the beat. Moving with the song, Britney’s backup dancers pushed out a rolling prop and sat her onto it blindfolding her as Britney pushed the male dancer’s head between her legs as the altered vocals rang out. Pushing him up and away Britney didn’t miss a beat as she stood up on the platform after removing her blindfold as her dancers pushed her across the stage. Once they reached the middle two helped her down and immediately she began walking down the runway with the dancers close behind. As the final chorus of the song played, Britney and the dancers slowed the walk to match the song as they performed the choreography and ending the song in a pose as the audience went crazy. Britney smiled and laughed a bit as the lights went dark.

After this, the audience began to chant “Britney” through the venue and just as they thought it was over a voice rang out from the speakers “You looking for trouble? You came to the right place.” The lights on the stage then came back up and there was Britney standing at the top of the elevated platform with her dancers in different spots layered around her. “You lookin for trouble? Look right in my face.” The crowd cheered as the music for Gimme More started, but were shocked when they went to sing the iconic phrase and it was missing, instead the song went right into the first verse of the song. As this happened, Britney and her dancers danced to the beat of the music in their spots for a bit before they moved down to the flat stage. Not doing much choreography, Britney moved across the stage down the center runway where she danced and sang as the crowd joined in with her. As the song went on Britney did a few hair flips and other movements that matched the song’s beat and tempo, but as the song drew to the end the song’s instrumental played on a bit longer and once it ended Britney called out, “It’s Britney Bitch” while at the same time the screens on the stage lit up with “Britney Bitch” plastered across them. Britney looked out into the audience and smiled and waved before making her way back down to the main stage just as the lights dimmed and the show was over.

SPOILER: Click to show

{spoiler}
ACT ONE

LIKE A PRAYER

HOLY WATER, DEVIL PRAY, PAPA DON'T PREACH

ACT TWO

NOTHING REALLY MATTERS, PARADISE NOT FOR ME

DEVIL WOULDN'T RECOGNIZE YOU, MONA LISA'A LULLABYE

ACT THREE

ISAAC, WHAT IT FEELS LIKE FOR A GIRL

AMERICAN LIFE

ACT FOUR

CIRCUS! CIRCUS! (BEHIND THE MASK)

JUSTIFY MY EROTIC LOVE, HEAR MY NAME, FINGERS

ACT FIVE

STRONG ENOUGH, PROMISE TO TRY, OH FATHER

ACT SIX

ATTENTION/SNATCHING CROWNS/SHE'S NOT ME/ATTENTION (REPRISE), CONTROVERSY, LIKE IT OR NOT, GIRL GONE WILD

ENCORE

HUNG UP

SPOILER: Click to show

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ACT I: CATHEDRAL
The Messiah (Intro)
Like a Prayer
Holy Water
Devil Pray
Papa Don’t Preach

ACT II: DARK FOREST/FAIRY TALE
Bedtime Story (Interlude)
Nothing Really Matters
Paradise (Not For Me)
Devil Wouldn’t Recognize You
Mona Lisa’s Lullabye

ACT III: MIDDLE EASTERN
Frozen (Interlude)
Isaac
What It Feels Like for a Girl
Hollywood (Interlude)
American Life

ACT IV: CIRCUS/SIDESHOW
The Girlie Show Theme (Interlude)
Circus! Circus! (Behind the Mask)
Justify My Erotic Love
Here My Name
Fingers

ACT V: STORM
Rain (Interlude)
Strong Enough
Promise to Try
Oh Father

ACT VI: REBEL REVIVAL
Gang Bang (Interlude)
Attention/Snatching Crowns/She’s Not Me/Attention (Reprise)
Controversy
Like It or Not
Girl Gone Wild

ENCORE
Hung Up

SPOILER: Click to show

{spoiler}
ACT I: CATHEDRAL
Before the show and during the opening act, there is a large curtain that covers the main stage and that curtain stays there until it’s indicated to raise up in the show.

The show begins with the sound of church bells ringing. At the end of the runway on the b-stage, three people in hooded robes with long crucifix necklaces. From below the stage, a black man who is implied to be Jesus raises to the stage. With him is a man in armor who is holding a whip. The sound of Catholic chants are heard as the man in armor appears to whip the Jesus figure and forces him to start slowly crawling along the runway toward the main stage. When they reach the main stage, the man in the armor slightly opens the curtain for them to walk behind it. At the end of the of the runway, 6 nuns raise from below the stage. The bells ring a few more times as “God?” from Like a Prayer is heard. Then Like a Prayer actually begins with an extended intro. The curtain slowly raises and we see the Jesus figure crucified on a tall metal cross, surrounded by more men in armour. A large confessional starts to lower down from the roof built over the main stage. Madonna’s silhouette is seen as she starts singing the song from inside the confessional. It stops halfway above the stage floor and a tall staircase rises out of the floor to make up the distance. The confessional opens and Madonna steps out in a black costume with some red in it. She makes her way down to the main stage. Through the song, Madonna and the nuns dance to the song, but M focuses most on interacting with the Christ figure. As the song comes to an end, the Christ figure appears to die. The cross is raised up into the roof structure with a spotlight on him like he’s ascending to heaven, ending the song. As this happens, three upside down crosses with men dressed as nearly nude preists lower from the roof structure as crucifix shaped stripper poles appear all along the runway. A spotlight hits Madonna as Holy Water begins. She removes the top and skirt of her costume, revealing a revealing and sexy nun inspired costume. The nuns also remove clothing down to under garments. The whole song is performed on the runway. Madonna and the nuns all head to the stripper poles on the runway and through the song, do sexually charged choreography that also displays some impressive skill. One of the pinnacle moments of the song’s performance sees Madonna climbing to the top of one of the poles and wrapping her leg around the side, allowing her to spin down the pole. On the main stage, the nearly nude priests on the upside down crosses appear to touch themselves as they watch what’s happening on the runway. At the song’s conclusion, Madonna and the nuns arrive to the main stage as the runway crosses are removed and the upside down crosses with the priests are raised back up. The nuns all leave the stage as Devil Pray begins. From below the stage, male dancers in long black priest robes appear. Madonna stands center stage as one of the priests puts a rosary around her neck. The whole idea of the performance is these priests all fighting for Madonna’s soul after the “sinful” actions of the previous song. They pick her up and attempt to carry her away, some spinning her slowly above their heads. She gets pulled and dragged around (her metaphor for the aggression associated with religion). But it’s all to no avail, as Madonna continues to fight for herself. By the song’s end, she’s at the end of the runway and the priests all abandon her, realizing they won’t be “converting” her. The sound of church bells ring out as Madonna stands at the end of the runway, stunned from her ordeal with the priests. Then, a much more modern and darker sounding remix of Papa Don’t Preach begins. Lights illuminate an altar on the main stage. Madonna spends the first half of the song on the b-stage, doing light but very sharp and expressive choreography. She works her way back to the main stage and kneels at the altar. She then steps up onto the altar as a bright white light, the light of heaven, shines her. She reaches up to it but as the song ends, the light goes out, leaving Madonna in the dark, rejected from heaven. The altar lowers below the stage with Madonna on it, ending the first act.

ACT II: DARK FOREST/FAIRY TALE
The second act begins immediately after the end of the previous song. Old, leafless, ragged trees come from below the stage as fog rolls in from the sides of the stage. Dancers are hanging from the trees. The screen begins showing an interlude video as a haunting piano remix of Bedtime Story plays. The interlude video shows various reimaginings of fairy tale characters but much darker, more sinister. Madonna appears on the screens in the video walking among the dark forest. There are closeups of her eyes which appear almost animalistic. Lights then reveal that on the branches of the trees are dancers who wear costumes that have slashes in them, almost like claw marks. The music transitions into a darkly remixed version of Nothing Really Matters begins as Madonna is raised from below the stage at the end of the runway with a long red cape like Little Red Riding Hood. As she sings the first verse, the stage below her begins to move, it’s a conveyor belt below her slowly moves her toward the main stage. She has her back to the main stage so she is being moved backwards. As soon as she reaches the main stage the verse ends and the music stops. The dancers slowly creep out of the trees and crawl over toward Madonna menacingly. Two of them reach up and remove her cape revealing a gold and black outfit with chain mesh on it, a modernized version of knight’s armor (in keeping with the theme of this section of the show).. The music returns. Madonna and the dancers move around the stage through the trees. The dancers seem to be chasing Madonna, but she avoids them. Her avoiding them comes in her choreography which is pretty intense. At one point she grabs one of the tree branches and pulling herself up while a dancer runs underneath her. By the end of the song, Madonna has been chased to center stage right as the song comes to an end. The trees disappear and a majority of the dancers leave the stage. Two stay behind, two male dancers that are dressed to act as wolves (it’s subtle, most of it is implication but it still appears menacing and is in theme with this section of the show). Paradise (Not For Me) begins. Madonna slowly starts walking down the runway with the two dancers following on all fours. When they reach the end of the runway, the b-stage below them raises up. On a platform that’s hidden below the b-stage appears underneath the now raised b-stage. On that platform is a dancer in a black robe that covers their face. It’s a manifestation of the evil characters from Grimm’s fairy tales, a sinister entity. The dancer in that robe steps forward and the b-stage comes back down. The two dancers who were with Madonna flee as Madonna stands in front of this dark entity as the song ends. Devil Wouldn’t Recognize You begins. Madonna follows the dark entity to the main stage. Two more dark robed figures appear coming from below the floor. The three of them are then raised up on a platform to where they stand above Madonna as a male dancer dressed like a prince (nothing too fancy, not even a crown) appears. Madonna and the prince do a dance on the stage together that simulates the songs lyrics of a love ending. The dance is very expressive and almost ballroom like in presentation. As the song approaches its ending, the platform with the dark entities lowers back down and they surround the prince. They then disperse and reveal that the prince is gone. They took Madonna’s love from her. These dark entities are most closely related to old fairy tale representations of death. Madonna is left center stage alone to talk to the audience. “Let me hear you Sydney! Are you having a good time? Welcome to the sinner’s symphony. Tonight, we’re gonna express our bad sides, express our bad sides. And not give a f*ck what anyone else has to say about it! This next song is about one of the strongest, I don’t give a f*ck kinda attitude people in my life. My daughter Lola. Will you help me sing to her?” The crowd cheers as Madonna smiles. Mona Lisa’s Lullabye begins. The song is performed by Madonna on stage alone. The screen displays footage of a little girl (implied to be a young version of Madonna’s daughter who inspired the song) reading through a large book of fairy tales. Madonna moves around the stage slowly, taking glances of the screen. She also touches hands with some people in the audience. This performance is a purposeful stark contrast to the previous performances of this act, seeing something positive take hold of the dark aspects. A happily ever after.

ACT III: MIDDLE EASTERN
The third section of the show begins with a video interlude of a remixed version of Frozen. The video shows the sands of a desert with Madonna walking through it with a heavy winds bustling the sands around. On the stage, three female dancers wearing Middle Eastern burkas appear rising from below the stage. Madonna then appears rising from below the stage as the interlude music morphs into Isaac. The song hasn’t been performed since 2006 so the audience is absolutely thrilled to hear it return. The video screens continue showing video of Madonna walking through the desert. But the main focus is on what’s happening on the stage. Madonna and the three dancers in the burqas are performing incredibly intricate but beautiful choreography to the song. The beautiful fabric of the burqas are being blown by fans in the stage. The choreography is inspired by traditional Middle Eastern dancing. At the song’s conclusion, the three dancers disappear from the stage, leaving Madonna on stage alone. She talks to the crowd. “Thank you, Sydney. Before we do this next song, I want to bring to attention to what you’ll be seeing on the screen behind me. In the Middle East, there are thousands of young girls who are fighting to go to school, to get a good education. But they’re met with nothing but opposition. And in some cases, they are killed for their desire to learn. On the screen you will see the journey of a very brave young woman who fought to gain her education and succeeded!” The crowd cheers as What It Feels Like for a Girl begins. The song is performed with Madonna on stage by herself backed by her band. The screen shows footage of a young woman who beat the odds and got her education despite threats and near attacks on her. The song ends with Madonna being lowered below the stage as the video shows the woman standing smiling in front of her new home in California where she is continuing her education to become a doctor. This takes us into another interlude. The interlude is set to a remixed version of Hollywood. The screen shows real footage of soldiers overseas mixed in with filmed footage of look alikes of several prominent politicians such as Donald Trump, Vladimir Putin, Kim Jong Un, and George W. Bush among others sitting on a couch watching the war footage while pointing and laughing like they’re entertained by it all. As the video approaches it’s ending, the main center screen raises up revealing a tank behind it that’s pushed forward onto the stage by unseen stage hands. Standing and hanging off the tank are dancers dressed in camo outfits. Madonna appears in a similar outfit stepping up onto the top of the tank as American Life begins. Madonna jumps down from the top of the tank as do the dancers. Some of them are carrying rifles and some have grenade belts. Madonna and the dancers move all over the stage like it’s a war zone. The screen continues showing politician looks alikes. During the songs rap part, jets of flame and sparks start shooting out from the stage while plumes of smoke come out of the tank’s gun like it’s being fired. The screen shows all of the politician look alikes starting to kiss and grope each other, turned on by the violence of the “war” happening on the stage. Four dancers come out with cash guns and shoot cash bills into the crowd that has a heart with a slash through it in the place of where the president would be. Madonna and the dancers all climb back up onto the tank as the main screen lowers back down in front of it. We see all of the politician look alikes on the screen laying among each other naked (we don’t really see any nudity) and passed out like they’ve just had an orgy, ending the song and the act.

ACT IV: CIRCUS/PEEPSHOW
The Girlie Show Theme, used in the tour of the same name, starts as a dancer dressed as a ringleader of a circus appears at the end of the runway. He starts walking toward the main stage as lights come up dancers appearing on the main stage dressed in circus clothing such as the strong man outfit, showgirls, and even some clowns. There’s a fire breather as well. Some of the clowns have oversized bubble wands and are blowing bubbles. There’s a cage suspended above the stage that has a dancer interacting with an animatronic lion that’s only half the body and the head but the audience can’t tell, to them it looks like the whole lion (one of the most expensive props of the show). As the theme music nears its end, Madonna appears at the end of the runway dressed in a white shirt and black pants. One of the dancers runs to greet her and Madonna hands the dancer some money like she’s buying a ticket to the circus. Circus! Circus! (Behind the Mask) begins. Madonna walks to the main stage and interacts with some of the clowns. While she’s performing, two dancers bring out a target wheel with a dancer strapped to it. Madonna walks over and spins the wheel as a blindfolded dancer throws knives at the wheel, of course all missing the dancer but just narrowly misses the dancers crotch. Madonna then moves over to dance with some of the showgirls. The cage that’s suspended lowers down and a dancer opens it. Madonna walks inside and sits on a seat that’s built behind the half body of the animatronic lion like she’s sitting on the lion’s back. She then exits the cage and goes center stage to deliver the final chorus. The cage raises back up and out of sight. The song ends and the lights go out. The sound of heavy breathing is heard as a single spotlight shines on one of the show girls slowly stripping off her costume. She has flesh colored underwear bottoms but is totally topless. Lights come up on some of the other showgirls who are also topless as Justify My Erotic Love, a mashup of Justify My Love and Erotica begins. The clowns are seen stripping some of their costume off and smearing their makeup as they’re wiping it off. The performance is very sexually charged. Throughout, Madonna and the circus performers continue to strip. They also get close and touch all over each other. The lion tamer from before is seen appearing to whip some of the dancers. Madonna strips down to a body stocking. As the song ends, a bed is raised from below the stage. All of the dancers except for one male leaves the stage. Madonna momentarily leaves the stage to get a headset mic put on. The male dancer sits down on the bed as Hear My Name begins. Madonna appears on stage again and joins the male dancer on the bed. Things start lightly with just the two of them touching each other and teasing. But it quickly heats up as the song intensifies. The male dancer kisses down Madonna’s body and she ruffles his hair. He picks her up and sits her on his waist as they continue to rub all over each other. However as the song approaches its end, the dancer throws Madonna down on the bed and walks away. Madonna sits up on the side of the bed. She says “Sometimes...you can please yourself more than anyone else can.” She winks as the crowd cheers. She leans back on the bed as Fingers begins. On the sides of the stage and on at the end of the runway, some of the male circus performers, still stripped down from earlier, appear like they’re spectators of a sexy sideshow Madonna’s putting on. This being a song about self love, Madonna is seen touching herself slowly but this amps up as the song continues. She gets into Blond Ambition territory as she mimes masturbation. Most of the male dancers acting as spectators are seen touching themselves as well, some with their hands in their underwear at the end of the song, the lights go blindingly bright, an implication of org*sm, and then go to blackout, ending the song and this act of the show, the crowd cheering wildly.

ACT V: STORM
The next act begins with a video interlude of a new version of Rain playing over a video of a crying Madonna laying on concrete ground in the rain. Some dancers on the stage perform an interpretive dance holding umbrellas with lights in them. At the end of the interlude, the dancers disappear as a piano is raised on stage with a band member playing it. Madonna is sitting on top of the piano. Strong Enough, Madonna’s song in tribute to the victims of the AIDS epidemic of the 80s and 90s as well as a scathing call out of all of those who refused to help due to prejudice. Madonna is wearing a very simple beautiful black outfit. She sings the song with emotion and power as the screen shows footage of AIDS marches from the 80s as well as footage of actual AIDS patients, highlighting the real horrors of the disease. At the end of the song, Madonna gets down from on the piano as the crowd cheers. “Thank you. This next song is one that I’ve never performed before. I’ve never performed it because I never thought I could do justice to the emotions I felt when I wrote it and recorded it. But since becoming a mother...I have often thought back to my own. And those thoughts have led me back to this song. In many ways, I’ve never quite gotten over losing my mother. But I’ve gotten better at sorting my thoughts out about her. I’d like to dedicate this song to both my mother and my younger self, two women lost and waiting to be reunited.” The crowd cheers as Promise to Try begins. Madonna walks slowly down the runway as the screen shows photographs of her late mother. It’s an incredibly vulnerable moment in the show, Madonna wearing her heart on her sleeve. At the song’s conclusion, there’s an image on the screen of a young Madonna next to her mother, showing how similar they looked to each other. On the mainstage, the piano and it’s player disappear. A couch with a male dancer laying passed out on it holding a string of pearls, a photograph of Madonna’s mother sitting under the light of a lamp on a side table. Oh Father begins. Madonna walks back to the main stage and takes the pearls. The man wakes up and mimes screaming at Madonna. He rips the pearls from her hand, breaking them, mirroring a scene from the song’s video. The man then sits on the couch and cries, leaning over occasionally to pick up some of the pearls. In anger, he breaks the photo of Madonna’s mother. He then stands and he and Madonna engage in a dance that displays both sadness and anger. This dance takes them down to the end of the runway where they are lowered below at the song’s conclusion.

ACT VI: REBEL REVIVAL
An interlude set to Gang Bang, her 2015 hit single, begins. Dancers appear on stage, some of them portraying cops, some portraying criminals. The criminals are in handcuffs and shackles. The dance interlude sees the criminals breaking out of their cuffs and chains, overpowering the cops. The cops flee the stage in fear of the criminals. Madonna appears on the mainstage in a red and black outfit as Attention, her Miranda Sings diss-track begins. Madonna and the criminal dancers do some choreography on the stage until a dancer dressed as Miranda Sings, lipstick and all, appears on the stage. The Miranda look alike is wearing a crown, a reference to her many claims of being a queen. Madonna comes up to the Miranda look alike as Madonna moves into the chorus and some verses of Nicki Minaj’s Snatching Crowns, set to the music of Attention. Madonna literally snatches the Miranda look alike’s crown and snaps it in half. Some of the cops wheel out an electric chair on the stage and the dancers overpower the Miranda look alike and force her into the chair, strapping her down. Madonna takes some lipstick and draws all over the Miranda look alike’s face as she sings some of She’s Not Me, again still set to the music of Attention. A light comes up on the switch to the electric chair and Madonna walks over. The music suddenly cuts and the sound of a heartbeat is heard. Madonna grabs the switch and pulls it. The Miranda look alike shakes as she’s “electrocuted”. Madonna and the dancers then enter the reprise of Attention as the Miranda look alike and the electric chair are quickly removed from the stage by the cop dancers. At the song’s conclusion, Madonna and the criminals freeze. Madonna breaks the freeze to hype talk the audience. “I just put the world out of its misery. Some queen she was, huh?” The crowd cheers. “ Do you bitches want some more?” The crowd cheers. “Do you bitches want some more?!” The crowd cheers louder. “I said...DO YOU BITCHES WANT SOME MORE?!” The crowd roars louder than ever! Controversy begins. The song is performed mainly on the runway making use of the conveyor. Madonna and the dancers do choreography while on the moving conveyor. Some other dancers appear popping up on the side of the stage from in the audience taking photos like paparazzi, catching Madonna and the criminals doing the scandalous choreography. The screens show various headlines of controversy throughout Madonna’s career, her totally embracing her bad girl side. Madonna sits her mic aside and does an added dance break on the runway, really giving it 110%. The song ends with the conveyor stopping, all of the criminals in line one behind the other with Madonna at the front. Like It or Not begins. The song is performed at the end of the runway. Three of the criminal dancers stay with Madonna but the rest leave the stage. In a callback to the Confessions Tour, the song is performed with Madonna and the three dancers doing chair choreography. But it’s much more complex than on the Confessions Tour. At one point, they all flip the chairs in the air, catching someone else’s chair, and then bringing it back down to the ground to continue dancing on it. An added outro is played as they sit the chairs on the runway and then sit on them as the conveyor takes them back to the mainstage as they sit. As soon as they get to the main stage, Girl Gone Wild, from her 2016 album of the same name, begins. There are no males on stage for this song other than the band but all of the females are out. The song is performed with complex choreography. It’s some of the most impressive of the night, including flips, high jumps, and even some hand walking from some of the dancers. At the song’s end, Madonna and the dancers are suddenly pulled down below the stage on fast moving elevators, sending everything into darkness.

ENCORE
There’s about a minute of blackness as the crowd cheers for Madonna to come back. Suddenly, spotlights hit 6 large disco balls hanging above the main stage. Hung Up begins in a more disco inspired arrangement as the main screen lifts revealing Madonna and every dancer in bright 70s inspired clothing. The song’s ABBA sample is emphasised in this newer arrangement. Madonna and the dancers do disco inspired choreography to the song. In the slow breakdown in the middle of the song, Madonna and the dancers slowly walk onto the runway. Madonna is all the way down at the b-stage and in line behind her are the dancers in single file all the way down the runway. When the song comes fully back in, the b-stage and the entire runway then raise up into the air revealing they’re both on lifts! The crowd roars with excitement while they dance up in the air. The stage then lowers back down and everyone makes their way to the main stage for the final chorus. The main screen raises again and Madonna and the dancers dance to the back of the stage. The screen lowers back down and by the last word is all the way down. The screen displays the words SINNER’S SYMPHONY on it, ending the show.

SPOILER: Click to show

SPOILER: Click to show

{spoiler}
ACT I

ACT II

ACT III

ACT IV

SPOILER: Click to show

SPOILER: Click to show

{spoiler}
Act 1
Intro
Throw Your Hands Up
Back & Forth
Age Ain't Nothing But A Number

[TRANSITION TO ACT 2]

Act 2
Down With The Clique
I'm So Into You
No One Knows How To Love Me Quite Like You Do
At Your Best (You Are Love)
Street Thing

[TRANSITION TO ACT 3]

Act 3
Get To Know Ya
Inhale Exhale
Girlfriend
Bad Blood

[TRANSITION TO ACT 4]

Act 4
Give Me A Little
Fool To Love
Blue Wine
Happy

SPOILER: Click to show

{spoiler}
ACT I
The audience have been waiting for this moment since the debut of Aaliyah. They brought their energy tonight and were waiting for the show to start. After several songs was played before the show was started, a countdown appeared on screen seconds after the entire stage went dark. The countdown started counting backwards from 1 minute, as it hit 0 the first visual from the setlist started playing. In the first visual, the camera was showing the inside of a church. It was changing its scenes every 2 seconds, showing the church from different angles. The camera slowly went upwards and showed the choir standing on a platform. The person who's on the lead said "And 1..2..3.." and they started singing the Intro together. As the intro ended, the smoke starts filling the stage and Aaliyah's name showed up in neon effects on the screen. And she appeared on the stage as her name showed up. The crowd went crazy as they saw her.

As Aaliyah said "Let's do this!" the production of Throw Your Hands Up started playing & the different colors of neon lights started showing. And also the second visual showed up on the screen. The visual showed Aaliyah & her crew at the block party, having the time of their lives. (And throwing their hands up, obviously) The dancers walked out to the stage slowly while snapping their fingers. She started singing the first verse. As she starts singing the "bridge" the male dancers lifted Aaliyah up & turn around herself. The camera showed Aaliyah spinning around at the time by the way. As the chorus comes on Aaliyah demanded audience to "throw their hands up" & she started doing the hand choreography with the dancers throughout the chorus. As the second verse came on the female dancers started dancing in sync around Aaliyah and after the bridge came on again, the male dancers lifted Aaliyah up & spinned her around again. There was a whole "party ambience" on the stage and you could see the audience also jamming and singing along to the track. And the lights went down after they did the final choreo while Kash Doll's part was playing in the back.

After a little silence, Visual 3 started playing on the screen. In this visual, the camera showed a clip of Aaliyah walking on the street between thousands of paparazzis. There were flash sounds going off around the arena and the flash effects popping on the screens to make it look realistic. As they left, one pap walked towards the camera and shouted: "But...WHO'S THE L.I.Y.A.H?". That was the moment when the track started playing. As Intro part camr on, the male dancers started doing the ‘Back & Forth’ dance around the girls. And Aaliyah showed her L-I-Y-A-H license plate to the camera (as a symbol) After dancing as pairs and doing some groovy body moves throughout the first verse, everyone started dancing back & forth as the hook part came on. And Aaliyah sang R. Kelly's part right after that. Throughout the second verse, Aaliyah got some "touchy" with her male dancer. As the last hook part came on bright green lights started shining and the ‘dance breakdown’ part started & Aaliyah started dancing with the female dancers. As it ended Aaliyah starts singing the last hook with a high note & the audience started clapping as soon as they heard it! As the song ended every dancer does a ‘death drop’ and we saw Aaliyah as the only person who’s standing.

The lights went dark and the dancers left the stage, it was time for Aaliyah to interact with the audience. "Ooh, what a huge crowd...Gosh...okay but seriously, this might be the biggest moment of my life. I know that y'all have been waiting for this moment to happen. Thank YOU all so much for coming tonight. It's gonna be a special night for all of us here, we're gonna say goodbye to not only this tour but also to this era. I hope y'all have fun tonight, i want to see your love and energy throughout this concert. This next track is...a complicated one to perform. It's Age Ain't Nothing But A Number."

The visual showed the newspapers that included the controversy of the year as its headlines. It showed some clips from the beginning of "Happy" music video where she was crying & terrified. Then it showed the music video for the track. For the performance, she was just standing alone there and doing some hand and body movements to match the tracks lyrics, even though she was looking uncomfortable doing that. But she wanted to show the audience that she embraces her truth so.... She interacted with the audience for the entire song (like...signed autographs, held their hands while singing the track etc etc) After she shouted "y'all know the words, this part is yours", she let the audience sing the final chorus of the track. And the stage went dark as she said "Thank you!!!" from the mic.

ACT II
The first act was ended and another long visual started playing on the screen while Aaliyah and the dancers were changing their clothes. In this visual the camera showed Aaliyah walking on the beachside slowly. Then she realized the camera & started walking towards it. As she stopped and winked at the camera the production of "Down With The Clique" started playing. The dancers started walking to the stage with their island-influenced clothes on. And the stage had some fake palm trees and sun and stuff. The camera started showing her coming to the stage once again. She started singing the songs first verse after waving to the audience. At this part, she came closer to the camera and did some hand movements while the dancers were playing with the ball & making it look like they were really on the beachside. As the hook came on, they did the choreography of the song. She started singing the second verse after that, doing some moves to get one of the male dancers attention (like she did in the songs music video). They did the choreo for the track again then. As the song nearly came to an end they all walked through the runway part of the stage together and Aaliyah demanded the audience to put their hands in the air and wave them with Aaliyah on beat. As the song ended, they stopped doing that and Aaliyah & the performance for the track was ended after the men held the girls close to themselves.

While they weren't changing their poses she screamed "1...2...3...LET's GO!" suddenly and the beat came in while they were on the runway section of the full stage. She started singing "I'm So Into You" without waiting and the audience screamed out loud for the cool transition. She sang the first verse while the dancers were clapping their hands and moving their bodies on beat. "SING IT!" she screamed again and did the choreo for the track as the chorus came on. They got in formation on stage and moved their butts on beat while holding each other. They were really into eachother while doing the choreo. After serving more and more body movements throughout the second verse, they did the choreo once again. Then CupcakKe appeared on the screen, lipping her verse while Aaliyah was randomly dancing with the dancers. She sang the final chorus with a little help from the audience while doing the choreo for the final time. It was ended after they gave a pose.

As the stage got dark again, rainbow-ish colors appeared on stage and the band played "No One Knows How To Love Me Quite Like You Do" instrumental for a minute as an introduction first. As the songs name appeared on the screen, the girls and the boys walked out to the stage with the new outfits. The girls were wearing the same clothes with Aaliyah, the guys were in all black. "Let me hear you say, let me hear you say!" she screamed from the mic to make the audience sing the intro. The boys followed the girls, they were walking on beat while she was singing the first verse. The boys were trying to impress the girls and it was..kinda working. Then they stood in line, walked towards themselves while the chorus was playing. The guys changed their positions and stood behind the girls, doing some hand movements like they were covering them from the rain. (the stage was showing the rain by the way) And they held their hands while Aaliyah was singing "You know how to bring sunshine to my life". (and the sun appeared on the screen as this part came on + the lights went yellow). After doing the final choreo, the performance for the track was over & the dancers left the stage as it got dark. She was on the other side of the stage.

"So...how y'all doing?, are you having fun?" The audience screamed "YEEES". Aaliyah said "So... let's turn the energy down a little, this next track is so special to me and i know that it's your favorite track off my album so.. This is "At Your Best" ".

The blue lights appeared on stage and we saw a guitarist starting the performance with doing a solo while the singer was walking towards him. She sits on the chair and the guitarist that's next to her startd playing the song. A visual of snows falling down played on the screen at this moment. Aaliyah started singing the song with beautiful harmonies and sang the first verse right after that. She sang the chorus in a higher note and the audience applauded her for the effort. As the bridge part came on Aaliyah stood up and the camera started showing the audience holding flashlights in the air. We saw Aaliyah singing her heart out at this moment and the camera then showed some people crying while singing along to the song/the singer was delivering amazing vocals. Fake snows started actually dropping from the top of the stage to match the ambiance. After Aaliyah sang the last chorus of the song, she ended this performance with holding a note and the audience started applauding her....again.

But it didn't end there actually... "No no! Keep going Matt." she said to the guitarist. The lyrics was shown on the screen at this moment and the snow was still falling from the top. And the chorus part played in the background "We've got a street thing going on". The guitarist started playing "Street Thing" while Aaliyah was doing some hand movements to match the tracks lyrics. "I'm gonna let y'all sing the choruses okay?" she said and she let the audience sing along to the chorus with her. They all sang the part with their heart out. She served more hand movements throughout the second verse also and sang the final chorus with the audience. The stage got dark and the snows stopped falling. The guitarist left the stage and Aaliyah made another speech.

"Thank you guys so much. I just...can feel your spirit in me and your energy is perfect tonight. I thank you all so much for being here with me and singing your hearts out to my tracks. I don't know if y'all got bored from this "throwback" sound but...would you like to make the sound "current"?" she said and winked. As she walked out from the stage, the stage went dark again and introduction to the third act started playing on the screen.

ACT III
The camera then started showing stage, one spotlight appeared on the table which was placed in the middle of the stage. It had a player on it. A girl walked out to the stage and put a tape in it. The music player played the intro to the track then, which was the moment the audience realized that it was the track "Get To Know Ya"' intro. Then it stopped, after the girl hit it once, the production for the track started playing. The girl was Aaliyah, and all the lights revealed the stage, which was designed like it was the room from the tracks music video. Red couches, red table, red bed and there were two giant sculptures of "human lips" with a red lipstick on. The lips had "Get To Know Ya" written on them also. There were guys sitting on the couches and the bed. "I think y'all know this one" she said through the mic and walked around the stage. She started interacting with the first guy who was sitting on the couch. The camera was showing them touching eachother while the singer was singing the first verse. She didn't like him and left him there but he got sad and tried to make her mine throughout the first chorus. She pushed him away and moved onto the other guy who was laying down on the bed. Sang the second verse while laying on bed with him. (while singing the lyrics "Cause we're gonna float up to this feeling of a higher place. It's our world") They were looking at the camera (which was showing them at the moment from the top of the stage) (looking at it like they were looking at the stars). But he didn't care about her so she rejected him too after singing the second verse. As we got to the ending of the song she sang "Just wanna get to know ya" to the guy who actually loved her. But she whispered to the mic while looking at the camera "You don't even know me" and she pushed the camera away & the performance was ended. The audience was screaming.

15 seconds after the stage got dark, another visual started playing on screen. It was a full-white room in the video. There was a camera placed in front of the room. As it zoomed into show what the camera was recording, it showed Aaliyah, breathing in and out deeply. And then it replayed it again...and again...and again. Then she whispered, "when i inhale exhale, i'm back again" and the production for "Inhale Exhale" started. Aaliyah sang the first verse while taking steps on beat with the 2 female dancers who were holding her shoulders. They did inhaling and exhaling moves with their bodies as they got to the chorus. The lights were changing colors every second at this part. As the second verse came on, the females went backstage and the guys appeared on stage. They were walking on beat with the singer at this moment and they stopped. They were feeling sad for him while the singer was looking sad to match the lyrics. They did the same choreo again while the lights were changing again. The girls also appeared on stage then and they all held their hands and turned in circles throughout the final chorus. They all fell on the ground as the performance was ended.

As the stage got dark again, there was only Aaliyah standing there. She held the mic stand and placed it to the middle part of the stage. She said: "I think y'all might know this track." and the band behind the screen started playing "Girlfriend". She delivered good vocals throughout the first verse while the music video was playing in the back. The camera was also showing some fans singing along to it on the screen. As she sang the chorus, all the pink lights were held on the singer while the wind was showcasing her beauty. She opened her arms as she sang "To make us....fly". A male and a female dancer then appeared on stage, the camera was focused on them as we got to the second verse. The female was acting like she was so weak to walk, to get up and the male was trying to make her come back to life. He was trying to cheer her up behind the artist. As they got to the final chorus, the band started going AWF like....they were going all the way off on them instrumentals while Aaliyah was serving the vocals the audience needed. Roses started falling down from the top of the stage while the pair was intensely dancing in the back. As we were getting closer to the ending of "Girlfriend". Eight dancers started slowly walking out to the stage. The performance for the track was ended after she held a note for like five seconds.

But while she was doing it, the remix version of "Bad Blood" was playing in the back and its volume was turned up each second. As we reached to the max the music stopped, she looked around and saw the dancers. "Before getting into this remix, can y'all give a huge scream and show some love for these incredibly talented dancers?" she asked. And the audience showed their love by screaming with the top of their lungs. "Let's dance!" she said. She slowly walked around the stage and got closer to the runway section of the stage. The dancers were getting in formation at this moment while she was singing the first verse. The house remix for "Bad Blood" was playing in the back. As the chorus came on, the beat & the lights changed at the same time and then they started doing a choreo for the remix. They were just "vogue-ing" to the beat at first and the audience were going crazy for the performance. They killed it. As the beat changed again they did a death drop to the ground and girls started doing hairography while the guys were doing some intense moves. While the beat was still going on, she sang the second verse. They were doing cat-walk through the runway and posing for the camera. It was so different for this song, especially this performance but the audience lived for it. They all stopped as the chorus came on and a fire alarm appeared on the screen with its sound. A countdown appeared on the screen (counting backwards from five). As it ended, they did the iconic moves for the final time while the confettis were popping at every corners of the stage one by one (on beat). The performance for the remix was ended after Aaliyah made all dancers do a death drop to the ground with her hands. The stage got dark and Aaliyah was the only standing. The dancers left the stage.

"The transition was pretty insane, i know. The third one is done y'all. Here's our final act. Once again, i'm really thankful to see your amazing energy here. Thank you for singing along and having fun with me. It's so special to me. Now...shall we?" she said & she left the stage.

ACT IV
Another visual started playing as we got to the Act 4. A man appeared on the screen, walking in a purple colored room. There was a button in front of him saying "next". As he pressed on it, the visual ended and the doors were opened to the stage. The male dancer walked out to the stage in pink smoke as the production for "Give Me a Little" started. Aaliyah's face appeared on the screen, singing "Give me a little...give me yeah, give me a little, give me your..." She sang the first verse from backstage while the male dancer was dancing in fear on stage. As she sang "Oh-oh, take it from me", the elevator was lifted and Aaliyah made a super quick entrance to do the choreo with the male dancer. The audience was shook while Aaliyah was nailing the chorus with the gorgeous choreo she did with the male dancer. As the part ended, they held eachother and laid down on the ground. They were rolling their bodies (in an artistic way of course) around the stage while the singer was singing the second verse. They did the same choreo again then. A group of male and female dancers appeared on stage as they got to the bridge part. They were closely touching each other every time the beat kicked in. They all did the intimate choreo for the last time. The performance was ended when they all gave a pose.

The stage was dark once again and the crew was placing the piano on the stage in the dark while Aaliyah was getting ready to perform the next track. "Let's slow it down once more." she said. And the camera started showing the pianist playing "Fool To Love" from a different angle on the screen. As it zoomed out, we saw Aaliyah laying down on the piano. She sang the first verse after she turned around and served some hand movements to match the tracks lyrics. As the chorus came on, the camera showed the pianist beautifully playing it. As we got to the second verse, she got up and jumped from it. She sang the second verse with a little help from the audience. The pianist was shown on the screen...once again, gracefully playing the track. Instead of the bridge, it was replaced with a solo. After the pianist served an amazing solo, Aaliyah delivered high vocals, once again. The performance was ended after Aaliyah hit a high note and thanked the pianist for helping her.
The stage got dark again and she stood up and made a little speech.

"You know...there are times when you're sad, times when you're tired of all the bullsh*t, times when you're just over it. But you know what, if you really wait just a little, time will give you the answer you need. Time truly helps you. It heals you. Trust me, it does." she said.

As the stage got dark...again, the elevator was lifted to the stage and there was a 3D giant-sized cube on it. Each sides of the cube had LED screens on it to show the visuals. The screen showed the music video for "Blue Wine" seconds later. Blue smoke appeared on stage while the music was playing. The camera which was placed inside of the cube started showing Aaliyah laying down on the ground, looking like a total maniac. She was "acting" like a maniac throughout the first verse. Throughout the first chorus, we saw Aaliyah rolling around the ground and doing messy movements inside of the cube. The newspapers appeared on each sides of the cube. The headlines were about the R. Kelly situation, people bashing Aaliyah's album, people making fun of Aaliyah's life decisions. Aaliyah was looking at them and actually crying while singing the second verse. These made Aaliyah even more upset and she suddenly fell on the ground. She couldn't handle the pain & the negative energy. As the last chorus came on, she started thinking about how she could avoid all this bad things that control her mind & soul. The spotlight appeared on the cube when she emotionally sang "I'll make it through broken emotion.". The cube was opened from all its sides and the stage was filled with smoke. She just stayed on the ground and didnt mess up her pose. The camera got closer to her as the performance was ended. She was crying. She recieved the biggest applause from the audience after this amazing performance. She jumped from the platform and walked around the stage while the stage was getting ready for the final performance of the night.

"Ooh, it's getting to emotional in here am i wrong? *giggles*. I want to leave this place energetic & happy, do y'all want to be Happy in 3 minutes? Are you ready? Are you ready for the final performance of the night? I want to see you all singing along to the full song. LET'S GO" she screamed from the mic.

The audience went crazy as they realized that she was going to close the show with "Happy" The huge led screen started playing the songs music video seconds after. She sang the first verse with a little help from the background singers. As the first chorus came on, female dancers came on the the stage and started dancing with Aaliyah while making that "happy" gesture to match the song. As the second verse comes on, she sang the verse while walking through the runway with female dancers. (at this time, the male dancers are secretly walking on the other side). As the chorus came on, she sang it with the background singers...again. As the bridge part came on everyone froze and the camera started showing Aaliyah slaying the part with her heavenly vocals. As the last chorus comes on colorful fireworks started to pop and balloons appeared in the venue. The audience were playing with the huge balloons at this moment and all of the dancers started having fun with Aaliyah in the end of the runway stage. The performance ended then.

Aaliyah started crying as the show was ended. She said these final words: "It was an honor for me to bring my creativity and share with every single one of you for 6 months. I really, truly, love each one of you. Thank you for making this girl smile all the time. I'm overwhelmed by your love and support since my debut single. Here's to all the love and success for this tour, here's to my crew who worked so hard to make it happen. Here's to you all, for coming here from different cities. Here's to myself for believing in myself and helping myself achieve all the beautiful things in my life....like you guys. Thank you. Until next time. And well, i think the next one is close....super close. I might have a surprise for y'all.
As a gift. Not gonna tell the time but anyways. Thank you thank you thank you thank you!. Have a great night. Love you."